MADONNA’S FOUR-DECADE INFLUENCE: BRAND STRATEGY AND GLOBAL IMPACT OF THE CELEBRATION TOUR RIO DE JANEIRO by Pedro BELTRÁN CUERVO, Cecilia VALLEJOS PARÁS

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Sakha Music: Selling 'Exotic' Europeanness in Asia and Asianness in Europe by Aimar Ventsel

“…When touring abroad, the music and performances have changed over time depending on the region. …”
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How Destination Image Building Tourists’ Immersive Experience for Online Tour and Stimulate the Intention to Visit in Person by Wei Sun, Liwei Li, Yidong Liu, Fengyuan Sun, Ya Zhu

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Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior by Luiza Bittencourt

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What if writing rock history was also writing with “ifs”? Or how Lester Bangs liked playing a trick on his reader’s perception of time by Maud Berthomier

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«The exhibition opened in a doubly non-random place...» by Yu. Z. Kantor

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The German Days of Dora Pejačević by Domagoj Marić

“…(The question primarily refers to Dresden, since Munich was still a bigger musical centre. After all, in the same period as Dora Pejačević, the Croatian composer Krsto Odak studied in Munich, but there are no known contacts between them.) …”
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Jenny Lind. Of Echoes and Traces by Anne Harley, Andrea Zittlau

“…In September 1850, the celebrated soprano Jenny Lind, better known as the Swedish Nightingale, arrived in the United States for what would be her last major musical tour. Her wild success in the young nation was built upon an advertising campaign by Phineas Taylor Barnum that leveraged her talent and various aspects of her identity. …”
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From Dickens’s Theatrical Performance to Contemporary post Dickensian Narrative and Artistic Performance (Acker, Ackroyd, Waters and Rushdie) by Georges Letissier

“…With English Music, Ackroyd, for his part, illustrates what Clayton in his study: Charles Dickens in Cyberspace (2003) calls “undisciplined” creativity, by revisiting Great Expectations trans-artistically, through an odd combination of the pictorial, the musical, the cinematographic and the theatrical. …”
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From Book to Playlist: How Open-Access Audio Archives are Renewing the Poetry Collection by Abigail Lang

“…Moreover, Zukofsky’s Fall 1972 readings foreground the curatorial role played by his wife, Celia Zukofsky. By setting to music her selections from her husband’s work, she offers two artistically complex textual realizations of a game-changing affordance of sound-recording technologies since the 1963 invention of the audio cassette – i.e. the possibility to anthologize on the receiving end. …”
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