Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

“…By taking a closer look at Canada’s first Indigenous Theatre company, Native Earth Performing Arts, which is based in Toronto, as well as analyzing two fundamental texts, Drew Hayden Taylor’s (Curve Lake First Nations) Toronto at Dreamer’s Rock and Daniel David Moses’ (Delaware/Tuscarora) Almighty Voice and His Wife, this paper will trace the common themes in these two texts that were prevalent in the work of this time, as well as unpack the connection these plays have to place, specifically in their relation to Toronto and the Indigenous Theatre scene there.…”
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Change Detection and Feature Extraction of Debris-Flow Initiation by Rock-Slope Failure Using Point Cloud Processing by Xiaoying He, Zeqing Yu, John M. Kemeny, Ann Youberg, Yunkun Wang

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Assessment of the Distributed Ledger Technology for Energy Sector Industrial and Operational Applications Using the MITRE ATT&CK® ICS Matrix by Annabelle Lee, Sri Nikhil Gupta Gourisetti, David Jonathan Sebastian-Cardenas, Kent Lambert, Vicente Navarro, Marco Pasetti, Umit Cali, Kateryna Isirova, Ramesh Reddi, Puica Nitu, Md. Touhiduzzaman, Michael Mylrea, Philip Huff, Farrokh Rahimi, Shammya Shananda Saha

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