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    Liminalities and Displacements: The Rites of Passage to Self-Identification in Chicano Writings by Sophia Emmanouilidou

    Published 2013-06-01
    “…The aim of this paper is to explore the hermeneutics of selfhood under conditions of excruciating socio-political injustice, and to detect the rites of passage to self-conceptualization as unravelled in two Chicano literary writings: Tomás Rivera’s “…y no se lo tragó la tierra” (1971) and Tino Villanueva’s Scene from the Movie GIANT (1993). …”
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    Laguna de fracasos by Lagunaries

    Published 2024-12-01
    “…A practice that does not yet have a name, a performance that is always provisional, weaving voices and actions through listening and activating our own and other people’s writings. …”
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    La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete by VICENT DEBIAIS

    Published 2024-11-01
    “…This article focuses on analysing a detail present on the panel of the tomb of Saint Peter of Verona, namely the marble of that tomb. This anecdotal detail, seemingly insignificant in terms of the work’s iconography, in fact plays an important role in the overall pictorial discourse employed in the conventual church of Santo Tomás. …”
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    “Welcome to the White Man’s World”: An English Translation of Isaac Oluwole Delano’s Historical Novel Aiyé D’Aiyé Òyìnbó by Michael Oladejo Afolayan

    Published 2021-12-01
    “…For the record, one important thing I would like to say right here is that all names, be it of towns or of people, that are used in this book are totally fictional. …”
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