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    La marcia degli alfabeti. Indagine semiologica degli Slavs and Tatars by Davide Tolfo

    Published 2024-06-01
    Subjects: “…slavs and tatars…”
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    Crimean Tatars in the Trade Union movement of the Crimean ASSR in the 1920–1930s by Grigorii Kondratjuk

    Published 2023-12-01
    “…The korenization policy made changes to the KSPS itself, introducing a certain percentage of Crimean Tatars and representatives of other peoples into its structure. …”
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  11. 171

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

    Published 2017-03-01
    “…Representations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensity of the violence, to a point one could call apocalyptic, coupled with specifically non-realist dramaturgical and theatrical modes of production. …”
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  12. 172

    El teatro argentino como registro de las nuevas migraciones by Perla Zayas de Lima

    Published 2009-12-01
    “…This phenomenon is clearly represented in the theatre scene. Our analysis will focus on the way Argentines define themselves in opposition to these immigrants, the Europeans, their Latin American neighbours and later the Asian community.…”
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    Victim or Villain? A Study of Deconstruction in Tiara Andini’s ‘Maafkan Aku’ by Meria Zakiyah Alfisuma, Eka Susylowati, M. Masqotul Imam Romadlani

    Published 2024-11-01
    “…This study applies deconstruction, a key theory in postcolonial studies, to analyze and reinterpret the meaning within Tiara Andini's popular Indonesian song, Maafkan Aku. …”
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  16. 176

    Avoiding never events in orthopaedics theatres: a quality improvement project by Bhaskar Amarnath Bhavanasi, Shrikant Kulkarni

    Published 2025-01-01
    “…These events are highly stressful for theatre staff and significantly compromise patient safety. …”
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    Du Bestiaire dans le théâtre de W.B. Yeats by Pierre Longuenesse

    Published 2016-07-01
    “…In fact, poet and dancer are fascinated by this particular bird because of the hawk’s power to surpass the hero, as the bear triumphs of the swordsman in Kleist’s On the marionnette theatre : in At the Hawk’s Well, the bird overcomes the man because it has a grace that the man will never find. …”
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