Reception games of Dušan Taragel (the non-actor) by Peter Darovec

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Le détournement du genre policier sur la scène anglaise contemporaine : One Minute (2003) de Simon Stephens et Orphans (2009) de Dennis Kelly by Aloysia Rousseau

“…These two playwrights are thus reinventing a genre, subverting the codes of both traditional detective fiction and the thriller. …”
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Serialised Translations in the Estonian Newspapers in the Beginning of the 20th Century (1900‒1940) by Aile Möldre

“…The approach, combining book and translation history, is driven by the two issues debated in the media in 1900–1940: the desire to distance from the dominant German and Russian cultural influences and search for a new orientation; the categories of literature serialised in newspapers including the proportion of popular literature (genres like mystery, thrillers, romance, etc.) and the concern of intellectuals about its growth. …”
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What Hitchcock Taught Us about Whodunnits by Dominique Sipière

“…Although he specialised in crime thrillers, Alfred Hitchcock avoided filming whodunnits: his dislike gives a clue to both readers and spectators about the nature of what could be termed a “Hitchcock-genre” and about the thrill some still get from seemingly old fashioned novels of the 1930s. …”
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