Film routes in Basilicata by Delio Colangelo

“…On the “historicity” of the landscape, some authors have underlined the cinema’s capacity to register the transformations of the territory and, at the same time, to direct the gaze on it. Since the end of the Second World War, the Basilicata region has been a film location; more than forty full length movies have been shot in Basilicata. …”
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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema by Conall Cash

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Research progress on the structure of hydration films at solid–liquid interfaces by Na ZHANG, Jue KOU, Chunbao SUN

“…The hydration film encompasses four layers, with Ca2+ and \begin{document}${\mathrm{CO}}_3^{2-} $\end{document} sites alternating within. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…Forster (1908) is firstly a Bildungsroman, being centered on the discovery made by a young woman –Lucy Honeychurch– of the world, of herself and of romance, and secondly, a critical portrayal of the English society. …”
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Ce qui aurait pu être et ne fut pas. Une perspective cinématographique de la psychiatrie catalane en exil by Cristina Bernaldo

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From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception by Yonghwa Lee, Kyoung-Min Han

“…This article illuminates the open ending of Christopher Nolan's film Inception (2010) in light of Friedrich Nietzsche's philosophy. …”
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Madrid, la ciudad quimera by Bénédicte Brémard

“…This article analyses how Madrid is pictured like a chimaera in the Spanish cinema at the end of the 20th century. For the protagonists in the films studied, Madrid is both a screen on which they project their dreams and a monstrous figure capable of swallowing them and against which they have to fight. …”
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Héros malgré lui : le bureau de la signature du traité de Versailles by Claire Bonnotte Khelil

“…A symbol of the First World War, and viewed through this single prism since 1919, the desk has followed a trajectory comparable to that of a film actor: a total unknown, propelled for a few hours into the diplomatic limelight, who achieved international fame, still present 100 years after the First World War.…”
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Unraveling the laser decal transfer-based printing of ZnO ceramic towards FEP-ZnO-based Piezo-Tribo hybrid nanogenerators by Arpit Kumar Singh, Anshu Sahu, Palani Iyamperumal Anand

“…In this growing technological world, laser decal transfer has emerged as a groundbreaking technique due to its ability to offer high precision, material versatility, and design freedom. …”
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Immagini migranti, immagini in-discriminanti Latenze e valenze nell’uso di foto e filmati in ambito migratorio by Alberto Baldi

“…Pictures, stereoscopies and films were some of the tools that the emigrants used, when they could afford them, as a form of support or an alternative to the exchange of letters. …”
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Corps sensible, environnement urbain moderniste by Françoise Michel-Jones

“…In it, he confronts his character Hulot with a transitionless shift from the familiar conventions of a historic capital (Paris), which make it possible to stroll peacefully, to the exhausting and deceptive signage and plastic and formal components of a big city that makes for a world in itself, with no space or time outside the frame: a city that asserts the international, modernist version of a city rather than its modern version, being ubiquitous and timeless, devoted to accelerated communication, circulation and consumption.Lost in a disappointing “quest” with multiplying loops and dead-ends, Hulot often appears to be dissolving—shadowless body—at the whim of avatars, doubles and reflections, despite the virtues of transparency and communication, considered to be linked with the “new” architectural and urban environment. …”
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Intersemiotic Translation: From Medieval Poetry to Modern Movie by Leila Nik Nasab

“…Forced to abide by the conditions the girl sets for union, he loses everything, but in the end, with divine grace and guidance, he repents and finds the right path. …”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…The first section encompasses the beginning and ending of the book, detailing the life of Bahram V, a Sassanid emperor, from his birth to his death. …”
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Normative Ideology, Transgressive Aesthetics: Depicting and Exploring the Urban Underworld in Oliver Twist (1838), Twist (2003) and Boy Called Twist (2004) by Clémence Folléa

“…Twist and Boy Called Twist both respond to the didactic ideology of Oliver Twist and make the most of the novel’s subversive potential. In the end, these two films deploy many latent aspects of the text, thus redefining the terms in which we read Oliver Twist. …”
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Identifying factors that contribute to collision avoidance behaviours while walking in a natural environment by Mohammadamin Nikmanesh, Michael E. Cinelli, Daniel S. Marigold

“…What happens in the real world is unclear. Thus, we filmed unscripted pedestrian walking behaviours on a busy urban path. …”
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