Showing 21 - 40 results of 91 for search 'The Song of Lunch~', query time: 2.09s Refine Results
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    Gender, Schaffensprozess und musikalische Analyse. Clara Schumanns Drei gemischte Chöre (1848) by Thomas Wozonig

    Published 2020-06-01
    “…Clara Schumann’s three a cappella part songs from 1848 (Drei gemischte Chöre) like few other of her compositions allow for substantial insight into the artistic dialogue of the Schumann couple: these songs were composed in the context of common activities in the Dresden Verein für Chorgesang and jointly revised after their first performance. …”
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    Singing complaintes criminelles across Europe by Una McIlvenna

    Published 2021-03-01
    “…Everywhere we find that murder remains the most common subject, but that the numbers of victims are usually much higher in German songs. We find that there are variations in the use of melodies, and that the Italian songs do not use the tradition of contrafactum. …”
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    Goal-directed vocal planning in a songbird by Anja T Zai, Anna E Stepien, Nicolas Giret, Richard HR Hahnloser

    Published 2024-07-01
    “…Can they, based on experienced mismatch with a known target, plan the necessary changes to recover the target in a practice-free manner without intermittently singing? In adult zebra finches, we drive the pitch of a song syllable away from its stable (baseline) variant acquired from a tutor, then we withdraw reinforcement and subsequently deprive them of singing experience by muting or deafening. …”
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    Interviews with multimedia comics creators—how Hannah Berry, Lance Dann and Tom McNally use audio drama to move their work into new areas of storytelling by Alex Fitch

    Published 2024-11-01
    “…McNally’s comics anthology was accompanied originally by songs available to download on an accompanying website, including the first iteration of his audio drama. …”
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    Musikalische Zeitgestaltung in Mendelssohns Liedern ohne Worte by Ullrich Scheideler

    Published 2015-01-01
    “…Felix Mendelssohn Bartholdy’s Songs without words are generally written in a simple ternary form with straightforward proportions. …”
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