SUPERNATURALISM AND MYSTICISM IN WILLIAM SHAKESPEARE’S PLAY HAMLET by Muharrani Nurmalasari, Ruly Adha

“… William Shakespeare is the greatest dramatist in the world. …”
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Food Symbolism and Imagery in the Polish Translations of William Shakespeare’s The Merry Wives of Windsor by Katarzyna Jaworska-Biskup

“…The paper presents Polish equivalents of William Shakespeare’s food vocabulary based on The Merry Wives of Windsor. …”
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Shakespeare en prison : le cas d’Avignon by Florence March

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Avant propos by François Laroque

Subjects: “…William Shakespeare…”
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“They willfully themselves exile from light”: Exile in Space, Stage and Metatheatre in William Shakespeare’s A Midsummer Night’s Dream by Zied Ben Amor

“…Exile runs throughout William Shakespeare’s A Midsummer Night’s Dream. Transformed characters are exiled from the human world when they change shapes. …”
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Tout est faux. Henry VIII de Shakespeare et Fletcher ou comment on falsifie l’histoire by Anne Teulade

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« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch by Virginie Yvernault

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Studied Speech and The Duchess of Malfi: The Lost Arts of Rhetoric, Memory, and Death by Rory Loughnane

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La retraduction shakespearienne : espace d’accomplissement ou captation contemporaine ? by Julie Vatain-Corfdir

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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

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Réflexions sur l’appropriation du théâtre historique élisabéthain par la scène britannique contemporaine : usages de Macbeth dans Thirteenth Night de Howard Brenton (1981) et Dunsi... by Line Cottegnies

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L’Irrésistible Ascension d’Arturo Ui, une pièce « d’histoire immédiate » ? by Emmanuelle Hénin

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Histoire de la réception et histoire du livre by Roger Chartier

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The Victorian Illustrating of Shakespeare’s Women: Metal Engraving by Afrooz Khaleghi, Morteza Lak, Hoda Shabrang

“…This article seeks to examine the illustrated editions of Shakespeare's plays, whose images were printed by the use of metal engraving, in order to find the most determining factors that affect the way of understanding the female characters in the play, and to answer the question, "What is the Victorian portrayal of women’s main features in Shakespeare's editions?" …”
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Pink Stockings, Yellow Stockings: the Use of Pink-Yellow in Marston and Shakespeare by Anita BUTLER

“…John Marston (c. 1576-1634), William Shakespeare’s younger contemporary, wrote plays such as The Malcontent (c. 1604) that are performed today: his satirical comedy What You Will (published 1607) is not one of these. …”
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Shakespeare revisité, entre fidélité et parodie : de La Nuit des Rois à Shake de Dan Jemmett by Isabelle Schwartz-Gastine

“…William Shakespeare himself was a master of re-writing older material as he abundantly used this technique, which was totally justified at the Renaissance, to compose his poems or plays, from various sources whether literary (prose or verse), historical, or any other—and sometimes most unusual—background.The play I am considering in this paper is a very recent re-writing in English by Dan Jemmett (Peter Brook’s son-in-law), but performed in Marie-Paul Remo’s French translation at the Vidy Theatre in Lausanne during the 2001 season. …”
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Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick by Ronan Ludot-Vlasak

“…This article explores the way Herman Melville appropriates William Shakespeare’s work in Moby-Dick. Its argument is that by defamiliarising some of Shakespeare’s lines—a corpus that was both alien and familiar to nineteenth-century writers— Melville turns them into his own idiom. …”
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Royale Absence by Henri Justin

“…The moving force at the centre of “The Purloined Letter” is the spectral presence of the King, but a close reading of “The Purloined Letter” and “William Wilson” as rewritings of Hamlet reveals how much the play by Shakespeare partakes of the structure of the doppelgänger tale. …”
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Automatic Recognition of Authors Identity in Persian based on Systemic Functional Grammar by Fatemeh Soltanzadeh, Azadeh Mirzaei, Mohammad Bahrani, Shahram Modarres Khiabani

“…The first significant attempt to identify writing styles was Mendenhall's study of Shakespeare's plays (1887). The play Henry VIII is widely recognized as a collaborative work, not solely authored by William Shakespeare. …”
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