How can brand equity for tourism destinations be used to preview tourists’ destination choice? An overview from the top of Tower of Babel by Francisco Dias, Lucília Cardoso

“…Additionally, for illustrative purposes empirical data from two national samples is presented: Portuguese (N = 524) and Brazilian (N = 955). …”
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The Transition from Song to Poetry in Latvian Literature in the Second Half of the 19th Century by Māra Grudule

“…Around the middle of the 19th century, the Latvian national revival began. Without denying the importance of Latvian folk songs in the creation of national culture, the main focus of this article is on the secular ziņģes that were adopted from the German literary tradition, which up until the second half of the 19th century were a favourite tool for entertainment (singing) and spreading information orally. …”
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Pour une genèse de la compétence paysagiste by Bernadette Blanchon-Caillot

“…The research in the National landscape school in Versailles is based on an approach focused on landscape project (landscape architecture), and notably through the reconstitution of a genealogy of the landscape skills, based on the analysis of landscape realizations. …”
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„Ven z pasivity!“ Český konzervativní velkostatek na začátku první světové války by Šárka Lellková

“…One of them, around Friedrich Schwarzenberg, stressed the federalisation programme and sympathised with Czech national parties, whereas the second stream around Heinrich Clam-Martinitz advanced towards German-Austrian centralism. …”
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Assessment of environmental impacts of heavy metal pollution in rice in Nanning, China by Jing Zhang, Peng Li, Siyan Li, Zhongqi Lyu

“…Rice was evaluated through the national standard of Food Safety and Food Contaminant Limits. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…In Àfọ̀njá and Gáà that context is provided by the empire phase of Yorùbá civilization in which Yorùbá civilization was the dominant point of reference; in Ṣawo Ṣẹgbẹ ̀ rì ̀ the drama is situated in the context of postcolonial Nigerian city, in a nation that boasts large ethnic nationalities of which the Yorùbá are only one and in which Yorùbá culture is mediated by the postcolonial state with its symbol of the English language as the means of communication and its cultural spin offs. …”
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