“She Loves Nothing but Her Art”: Vibrant Marble and the Agency of the Female Artist in Louisa May Alcott’s “A Marble Woman, or The Mysterious Model” by Verena Laschinger, Annemarie Mönch, and Sophia Klefisch

Subjects: “…marriage…”
Get full text

Portraits of the Artist as a Young Wife: May Alcott Nieriker’s Influence on her Sister’s Literary Sketches, Fragments, and Narratives by Azelina Flint

Subjects: “…marriage…”
Get full text

Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’ by Raphaël Rigal

“…This recreation of a life story gives the artist the opportunity not only to paint a vivid picture of a time long gone, but to question mechanisms of power in a way that might resonate in Victorian times. …”
Get full text

Puritans, Nuns and Love: Reflections on L. M. Alcott and Mary E. Wilkins Freeman by Aušra Paulauskienė

“…Despite their artistic and generational differences, Louisa May Alcott and Mary E. …”
Get full text

A Stylistic Analysis of Ṣeun Ògúnfìdítìmí’s Songs by Temidayo Akinrinlola

“… Ṣeun Ògúnfìdítìmí is a traditional Yorùbá artiste of Oǹdó extraction. She is a promising and prosperous female artiste, who explores the richness of African values in creating her lyrics. …”
Get full text

Kay Boyle and Caresse Crosby: Devoted Friendship by Linda HAMALIAN

“…Over the next four decades, however, the relationship between them balanced out as Boyle’s reputation flourished as a writer and social activist, and Crosby made great efforts to promote world peace while she continued to support the work of numerous artists and writers. Both women rejected convention’s dictates about romance, marriage, and motherhood. …”
Get full text