“A torch, a rope, a belly laugh”: engaging with the multiple voices of support groups for people living with rare dementia by Paul M. Camic, Emma Harding, Sam Rossi-Harries, Oliver S. Hayes, Mary Pat Sullivan, Lawrence Wilson, Nikki Zimmermann, Roberta McKee-Jackson, Joshua Stott, Nick C. Fox, Catherine J. Mummery, Jonathan D. Rohrer, Jason D. Warren, Rimona S. Weil, Sebastian James Crutch

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Maternal and paternal depressive symptoms and parental vocalisation behaviours in infancy: findings from UK-based birth cohort by Amy Campbell, Amy Campbell, Amy Campbell, Amy Campbell, Gemma Lewis, Ilaria Costantini, Miguel Cordero, Andy Skinner, Esther Dermott, Tina Miller, Mari-Rose Kennedy, Iryna Culpin, Iryna Culpin

“…However, there was an indication that fathers demonstrated higher frequency and duration of commands, exclamations and ironic/sarcastic tone, and criticisms compared to mothers, while mothers engaged in more teaching compared to fathers. …”
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« Such sweet thunder (4.1.117) : Le trouble dans A Midsummer Night’s Dream » by François Laroque

“…By that phrase the grammarian Donatus (IVth century A.D.) explains that comedy moves from initial perturbation to final reconciliation. …”
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Where lol Is: Function and Position of lol Used as a Discourse Marker in YouTube Comments by Célia Schneebeli

“…It is generally taken to be the acronym of “laughing out loud”, but it is not always used to indicate a humorous response; rather, it is multifunctional. …”
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“TO JOKE ABOUT GOD”: ANECDOTES OF HAJI HASAN MUSTAPA by Jajang A Rohmana, Muhamad Zuldin

“…He did not show his superiority as a respected Dutch official, nor did he extricate himself from various tensions and obstacles. This generally relates to the low level of religious knowledge of his interlocutors. …”
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A Systemic Approach to Inceptive Constructions in Lithuanian by Rolandas Mikulskas

“…They are (given in the preterital form): pradėjo, ėmė (‘started’; ‘began’); puolė, šoko, metėsi (orig. …”
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Authenticity and Its Discontent as Reflected on Heinrich Böll’s The Laugher by Ni Nyoman Sarmi, Kheista Sasi Kirana, Kusuma Wijaya, Rommel Utungga Pasopati

“…People are justified to be original but it could hinder people from their freedom as stated by Jean-Paul Sartre. …”
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Creating a place for us: an overview of the FICE young people's conference 2004 by Irene Stevens

“…Throughout the last three days I’ve laughed, danced, played sport and, most importantly, learnt so much about different cultures and nationalities. …”

Conflits, féminité et identités diasporiques. Le pouvoir de la représentation chez Pratibha Parmar et Gurinder Chadha by Amandine Ducray

“…Ever since they started making films, British Asian female directors Pratibha Parmar and Gurinder Chadha have been aiming to better represent their community and tackle the specific concerns of women from their ethnic groups. Somehow emblematic of the self-representation encouraged by Channel Four in the eighties, such documentaries as Sari Red (Pratibha Parmar, 1988) and I’m British But... …”
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Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self by Lucía Bennett-Ortega

“…More specifically, I make use of Elaine Scarry’s (1985) formulation of the stages of the “projection of the body,” to examine the journey Pine undergoes in the conceptualisation of her own body: from being ashamed to unashamed. The second part of the analysis explores how Pine’s style of writing leads to the reclaiming of the female body along the lines of what Hélène Cixous (1976) advocates in her influential essay ‘The Laugh of the Medusa.’ …”
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Noel Hernández Rodríguez, scalpel in hand plastic surgeon by Tatiana Hernández González, Yaneisy Valdés Gutierrez, Yurisbel Tomás Solenzal Alvarez

“…Noel Hernández Rodríguez was born in the town of Guayos, municipality of Cabaiguán on January 14, 1947; he was 14 years old when he joined the Alphabetization Campaign going to Baracoa in Guantanamo, from April 17, 1961 until December 26 of the same year. …”
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