AN IDIOMATIC EXPRESSION ANALYSIS ON AN AUTHENTIC MATERIAL “PRIDE AND PREJUDICE MOVIE” A MOVIE FROM JANE AUSTEN BOOK by Dessy Kurniasy, Eka Sonia

“…Transparent idioms that has been found in the movie is about 25 idioms, semi-transparent idioms is about 20 idioms, whether semi-opaque idioms are found about 17 idioms and the last, opaque idioms that has been found in the movie is about 18 idioms. …”
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Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen by Taïna Tuhkunen

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Exploring Maxim Flouting in “A Man Called Otto” Movie: A Pragmatic Study by Ni Putu Adelia Wulantari, Putu Devi Maharani

“…The maxim of relation was found to be the most frequently flouted, followed by the maxim of quantity, the maxim of quality, and lastly, the maxim of manner. …”
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Questions à Marie-Clémence Andriamonta-Paes sur le film-documentaire Fahavalo

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Sentimentally enhanced conversation recommender system by Fengjin Liu, Qiong Cao, Xianying Huang, Huaiyu Liu

“…To refine the recommendation strategy, we design an emotional weighting mechanism to quantify and distinguish the importance of different entities in shaping user preferences. Lastly, we develop an efficient text filter to extract movie introductions from external data sources and integrate them into the dialogue, greatly enhancing the diversity and semantic richness of the generated responses. …”
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Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique by Fanny Beure

“…The forums are spaces where sharp debates and narrowly-specialized discourses can be developed. At last, social networks henceforth allow movie lovers to use some very creative ways of sharing their passion widely (pages, groups, quizzes and applications).…”
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Cinéma et lien : une enquête intime auprès d'une famille italienne en Lorraine by Marion Froger, Émilie Tullio

“…By accepting to participate in the project, the family proved how important it was for them to pass on their personal and authentic experience. This last remark leads us to our final point: cinema could also be considered as an experience of imaginary sociability – which is closely linked to the experience of social disruption. …”
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Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée by Eric Aunoble

“…As it was quickly named as “patriotic” by Stalin, this war saw a long lasting inflection of the Soviet discourse toward more nationalism. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Although Àfọ̀njá preceded the other two in movie 1 Barker, Chris. Cultural Studies: Theory and Practice. …”
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La seringue et la gâchette by Thomas Lequeu

“…Although the movies of the second half of Jean-Pierre Melville’s career are often referred to in the literature as “men’s films”, Un flic (1972), his last work, is the one that most openly questions the issue of gender. …”
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Film routes in Basilicata by Delio Colangelo

“…Since the end of the Second World War, the Basilicata region has been a film location; more than forty full length movies have been shot in Basilicata. Most of them, from The Gospel According to St. …”
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La focalisation des conditionnelles by Gilles Corminboeuf

“…[What if we went to the movies?]. From a syntactic point of view, an if-clause demands a Q component, but from an informational perspective, the reverse holds: an informative constraint makes if-P mandatory. …”
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