Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill by Michael Burden

“…The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such goodness should form a binding force between humans, was such a strong force in late 18th-century culture that it has been used as a means to define it as an ‘age’. …”
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