Conjurer l’écart, susciter les rencontres : Traduire la poésie by Claire Malroux

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Les codes du factice dans Big Fish de Tim Burton by Anne-Marie Paquet-Deyris

“…The handing-over process between the two men registers on screen in a series of visual and narrative conjuring tricks Philippe Rousselot’s sumptuous cinematography greatly enhances.…”
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Ecological imbalance on the area of Shapahar Upazila, Naogaon district over three decades (1993÷2023) and prediction trend next ten years: a GIS approach by Nazmul Hossain, Ahammodullah Hasan, Jannatul Adnan, Tasmia Jahin Mim, Arman Hossain, Ariful Molla, Noor Hossain, Habib Ibne Jahan, Abdulla Al Mamun

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Deleterious effects of thermal and water stresses on life history and physiology: a case study on woodlouse by Depeux, Charlotte, Branger, Angèle, Moulignier, Théo, Moreau, Jérôme, Lemaître, Jean-François, Dechaume-Moncharmont, François-Xavier, Laverre, Tiffany, Paulhac, Hélène, Gaillard, Jean-Michel, Beltran-Bech, Sophie

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El concepto de "sociedad civil": breve historia de su elaboración teórica by David Pavón Cuéllar, José Manuel Sabucedo Cameselle

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L’espace dialogique chez Flaubert : la « cabane de l’Ermite » et le double pupitre des copistes by Rocky Penate

“…While Antoine addresses himself to God, Bouvard and Pécuchet speak with one another. While the two copyists sustain a long dialogue with the authors that fill their library, until finally returning to their original profession, the saint conjures an entire catalogue of pagan gods and heretical voices before finally returning to his unequivocal prayers. …”
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Performing the virtual double by Amanda du Preez

“…The figure of the Doppelgänger is further vividly conjured through virtual stand-ins or alter-egos that act on behalf of the self to create a tele-presence through examples such as Project Lifelike and rep.licants.org. …”
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Figures de l’aventurière dans The Eustace Diamonds, d’Anthony Trollope (1873) : le refoulement d’un retour by Jacqueline Fromonot

“…However emphatically Trollope denied the fact himself, it is striking that the characterization of the key character of The Eustace Diamonds, Lizzie Eustace, conjures up Thackeray’s fictional creature, Becky Sharp, the heroine of Vanity Fair, who appeared on the literary scene some twenty-five years before. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…In The Dreaming of the Bones, written after the turmoil of the 1916 Easter Rising, Yeats presents, following the Noh tradition model, a young rebel fugitive confronted by two ghosts, caught half-way between past and present, dream and reality. …”
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