Dessiner son terrain pour le ressentir by Anne-Adélaïde Lascaux, Antoine Rigaud

“…In contrast, this article revisits a research experiment using drawings in a geographical demonstration, conducted in association with Antoine, a researcher and a comics author, during my PhD. Together, we argue that graphic works are useful methodological tools for scientific demonstration. …”
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Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation by Devon Harvey

“…Rooted in Canadian author Kai Cheng Thom’s reckoning with the shortcomings of trans-exclusionary feminist thought, and informed by Chinua Achebe’s conceptualization of re-storying, this article explores how <i>I Hope We Choose Love</i> and <i>Falling Back in Love with Being Human</i> by Kai Cheng Thom, <i>Death Threat</i> by Canadian creatives Vivek Shraya and Ness Lee, and comics from <i>Assigned Male</i> by trans activist and Canadian comic artist Sophie Labelle re-story “necessary” trans death to orient queer death spaces around a trans-for-trans (t4t) praxis of narrativization. …”
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L’Art de voler et L’Aile brisée, d’Antonio Altarriba et Kim, sont-ils des récits mémoriels historiques en bande dessinée ? by Isabelle Delorme

“…Historical graphic memoir is a new comic book genre that emerged after the publication of Art Spiegelman's Maus at the turn of the 1990s. …”
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La bande dessinée revendicative et mémorielle de Carlos Giménez by Pierre-Alain de Bois

“…The study will show how Carlos Giménez used this sequential art of comics to put into words and images painful memories related to the Spanish Civil War and its consequences, and how, over time, the author went from a writing of the denunciation to a writing of the memory, that it seems to want to transmit today to the future generations.…”
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Des guerres et des dictatures à travers les vignettes by Silvina Campo

“…The article proposes an analysis of comic strips that revolve around the Spanish Civil War and the Second World War, having as authors those who had to confront those conflicts in childhood.…”
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La bande dessinée contemporaine au rendez-vous de la mémoire violente de l’après-guerre civile espagnole et du premier franquisme by Viviane Alary

“…Many comic book authors have chosen to tell the story of individual destinies by interweaving them into a collective history, that of Spain under Franco's regime. …”
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Historia y memorias de la posguerra. Paracuellos y el recuerdo del Auxilio Social by Ángela Cenarro, Elena Masarah

“…In its most emblematic institution, the children’s homes, the children of the Republicans and the victims of war, reprisals or exile, as well as those of families devastated by destitution in the post-war, should become «active servants of a fair Spain». The comic Paracuellos, by Carlos Giménez, is a representation of the author’s experiences in these homes that has served to convey the memories of those who were children of the Auxilio Social and denounce the abuses committed against them. …”
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Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

“…By replacing significance with mere surface sounds, language emerges from these plays as a carrier of unexpected—and inescapable—meaning. Tracing a series of comic reversal techniques common to both Adamov and Beckett, famously grouped together under the moniker Theater of the Absurd, the author demonstrates how the attempt to deprive words of sense-making is repetitiously usurped by other sensory elements which doggedly invest the striving for senselessness with profound ambiguity, against all odds.…”
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Retour à la page blanche après le choc du 11 Septembre by Yves Davo

“…The author’s view mingles the form with the substance as the unsayable shock emerges at the surface of her comics. …”
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Les réseaux d’autrices de la bande dessinée en France by Marys Renné Hertiman

“…Secondly, it will point out the phenomena of recognition specific to the networks of female comic book creators. Finally, it will present the intersubjective modalities and the functioning of certain networks of women comic book authors.…”
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DEIXIS FOUND IN KAMIO YOUKO’S HANA YORI DANGO IN ENGLISH VERSION by Mariska Febrianti

“…It indicates that the author extremely want to show the figures in the story of comic. …”
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Past Times and Our Times: Reading Our Mutual Friend by David Paroissien

“…The rapacious and grasping ballad-seller he engages to read to him proves an uncertain authority on matters of historical interpretation and comically loose with Roman names and pronunciation. …”
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The Institutionalization of Political Humor as a Form of Reflection by S. S. Melnikov

“…In the course of research we found that comic interpretation of politics became feasible due to the legislative fixation of individual rights as a part of modern political culture. …”
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“Consummate Too Too”: On the Logic of Iconotexts Satirizing the “Aesthetic Movement” by Anne-Florence Gillard-Estrada

“…Finally, one intends to show the poetics at work in such iconotexts by studying those oft-recurring catchphrases that comically and yet creatively encapsulate the aesthetics and formula of life propounded by authors and artists of the Aesthetic Movement.…”
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Bouvard et Pécuchet et le savoir médical by Norioki Sugaya

“…This substantial file, which contains reading notes taken by the novelist for the writing of the medical chapter, allows us to understand to what extent the “comic of ideas”, characteristic of the encyclopedic novel, is the result of an intensive work on knowledge. …”
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Influence of soil type on bacterial growth and tolerance to experimentally added human antibiotics by Laura Rodríguez-González, Montserrat Díaz-Raviña, Beatriz Sevilla-Morán, Elena García-Campos, Juan José Villaverde, Manuel Arias-Estévez, David Fernández-Calviño, Vanesa Santás-Miguel

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Espaço vivido e espaço mental: Dalton Trevisan e a dicotomia social do urbanismo curitibano by Nelson H. Vieira

“…By contrasting the many praises that Curitiba has received as a “green city” with tragic-comic and ominous scenarios played out in Trevisan’s narratives, this study points to the socio-historic vestiges of its past as a colonial city and how that social experience still marks local behavior. …”
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