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    Proiecții (inter) textuale în opera lui Mircea Eliade by Grațiela Benga

    Published 2007-12-01
    “…We were interested both in Eliade’s literature (written after the World War II) and in the articles he published in magazines during his French and American exile. This face-to-face approach revealed an elementary parallelism, consisting of some common aspects: flexible sketches (like the terror of history), actions (the creation, the flight from reality / history), agents (the scholar, the victim, the tyrant etc.), frames (the labyrinth, the Centre and periphery). …”
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