Photographie et écologie aux États-Unis: l’image à contre-emploi by François Brunet

“…A traditional and powerful connection links landscape art and environmental consciousness in North American art, classically embodied in artists such as Thomas Cole in painting and Ansel Adams in photography, and reinforced since the 1970s by various photographic projects animated with militant environmentalist purposes. …”
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Gastronomy vs gastro-anomie? Japan’s foodscape by А. V. Malov, S. V. Chugrov

“…It is proved that, along with the import of foreign food products, which undermined the food self-sufficiency of the state, the patterns of the Euro-American civilization were imported, which modified the model of social behavior, ingrained eating habits, and age-old culinary foundations of Japanese society. …”
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Interpretation of H. Beecher-Stowe’s ideas in the novel “Uncle Tom’s cabin” in the context of G.M. Fredrikson’s concept of “romantic racism” by Elena G. Zueva, Illaria-Regina K. Lukhneva

“…In this regard, it is most interesting to consider this problem not from the traditional perspective of “Southern racists”, but also from that of the abolitionists, primarily representatives of the Northern states, who are traditionally perceived as advocates of freedom and equality. …”
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The manor estate economy ofthe Republic of Two Nations (the Polish-Lithuanian Commonwealth) in the 16th-18th centuries from the Marxist and neo-institutionalist perspectives by Darius Žiemelis

“…Kosminsky, a renowned medieval expert in the Soviet Union. American economists of the new institutionalist economic history work by its best-known representatives D. …”
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The Bioethics-CSR Divide by Caio Caesar Dib

“… [4] George J. Annas, American Bioethics: Crossing Human Rights and Health Law Boundaries (Oxford ; New York: Oxford University Press, 2005)…”
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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…Many exploitation filmmakers have had a strong impact on the filmmaker’s aesthetics and politics—among them, American filmmaker Russ Meyer, a master of sexploitation, whose strong female characters inspired the creation of Waters’s lead female heroines embodied by American drag queen Divine. …”
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“Fearing your own queer self”: Depictions of Diasporic Queer Experience in Grace Lau’s Poetry by Joanna Antoniak

“…Through the analysis of three poems (“The Levity,” “The Lies That Bind,” and “My Grief Is a Winter”), supported with references to the theoretical works on Asian North American writing and queer Asian migrant experience, the article discusses Lau’s depictions of queerness and her experiences as a Chinese immigrant in relation to the Canadian LGBTQ+ community, white queer liberalism, and internal politics of the Chinese diaspora. …”
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