Representing succession: Tudor royal portraits, 1544–1546: context, production and analysis by Susan E. James

“…Within the context of the 1544 Act of Succession and the events surrounding it, the purpose of this paper is to analyze the production and political role played by this royal portraiture and to examine not only what history can tell us about the commissioning of the portraits but what the portraits can tell us about the intentions and goals of the commissioner.…”
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Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’ by Raphaël Rigal

“…This poem presents a woman about to be forcefully married to a man who deceived her and abandoned her, as she explains to her sister why she cannot look forward to this marriage. …”
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The History of Miss Jane Pittman by Christopher Mulvey

“…The young man who wants to get Miss Jane Pittman’s story upsets her with his persistence: “What you want know about Miss Jane for?’ …”
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Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s by Tim Benton

“…What does the showroom tell us about Gray’s approach to design? How does her practice differ from that of other designers of the day? …”
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Mettre l’intime en bande dessinée. Un dialogue avec Léna Merhej et Noémie Honein by Michela De Giacometti, Laura Odasso

“…In this interview, we talk with Lebanese artists Léna Merhej and Noémie Honein about their respective practices and trajectories as cartoonists, a craft for which they are particularly known. …”
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Die sosiale konstruksie-model en die spanning tussen hoor en doen as reaksie op die prediking by DJB Kleynhans, JS Kellerman

“…The right questions will stimulate the hearer to tell his/her own story. In doing so, his/her life story will be deconstructed and changed according to the preached workd will take place. …”
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Le texte victorien à l’âge postmoderne : jouvence ou sénescence ? Fingersmith de Sarah Waters et le mélodrame victorien by Georges Letissier

“…But what do these updated versions of 19th century fictions tell us about the legacy of Victorian literature in the 21st century ? …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…Therefore, if we are to consider that a film adaptation presents the story as seen through the lenses of the society contemporary with the filmmaking, we can justly ask ourselves what these two adaptations of A Room with a View tell us about the last part of the 20th century and about the first years of the 21st century.…”
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The Artistic Links of Dora Pejačević and Svetislav Stančić Viewed Through the Stančić Legacy in the Library of the Academy of Music in Zagreb by Vilena Vrbanić

“…Such things, on the one hand, tell of their networking, their influences on each other, the interweaving of their lives and artistic paths. …”
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Pastourelles : narrateur, bergère et troupeau by Charlotte Guiot

“…The Medieval Pastourelle is mostly telling about the encounter between a male narrator and a stereotypical shepherdess. …”
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Our First Ten Years of Leading With Love: Transforming Cultures Through Interdisciplinary Discourse by Riane Eisler

“… Editor-in-Chief of the Interdisciplinary Journal of Partnership Studies Riane Eisler writes about how much the tenth anniversary of this journal means to her. …”
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Roma & Sinti Culture as Modern German Studies by Arushi Nair

“…Born in 1975, Reinhardt has used her voice in many ways to speak about her identity and represent her culture beyond the scope of the war. …”
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Roma & Sinti Culture as Modern German Studies by Arushi Nair

“…Born in 1975, Reinhardt has used her voice in many ways to speak about her identity and represent her culture beyond the scope of the war. …”
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To belong or not to belong : variations autour du mythe associatif chez Virginia Woolf by Stéphanie Ravez

“…This is especially the case of a 1920 short-story, ‘A Society’, which tells about a society of women rebelling against the patriarchal order. …”
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La vie des Gommes : pour une approche biographique des pneus de Carol Rama by Carolina Spovieri

“…First, while the commercial origin of the object points to its perishable nature, the worn state of the tyre also tells us something about the artist’s choice to incorporate it into her work, as someone who loves “things that make a living” (Vergine, 1985). …”
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Wygląd Zenobii w Historia Augusta: asocjacje i inspiracje by Radosław Domazet

“…Thus, individual features of Zenobia’s physiognomy have so far not been discussed in published literature concerning the Palmyrene queen. Her appearance is in several respects identical to that of Diadumenian (HA Dd. 3.2–3), which tells us a lot about the creation of the passages by the editor of the Historia Augusta. …”
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Rethinking Ḥadīth (Prophetic Traditions) as ‘Natural’ Narrative: In the Framework of Fludernik’s ‘Natural’ Narratology by Fatma Yüksel Çamur

“…Bythe concept of ‘natural’ narrative, Monika Fludernik brought a new perspectivefor narratology in the late ’90s. In her narrative theory, narrativity startswith the human experience rather than the plot. …”
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Is it Time to Recognize Political Anxiety as a Social Determinant of Health? by Brandon Ambrosino

“…A 2023 poll found that 90 percent of Americans always, often, or sometimes feel “angry” when they think about politics, with about the same number reporting they always, often, or sometimes feel “exhausted.”[3] The same survey asked Americans to sum up their feelings about American politics in a word — four in five respondents used negative words, like “divisive,” “dysfunctional,” and “sad.” …”
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ASIAN ENGLISH LITERATURE'S MIDTERM EXAMINATION MATERNAL INSTINCT DEPICTED IN VERENATAY'S BROKEN by Ruly Indra Darmawan

“…VerenaTay through this novel tells a story about one particular woman and how she treats her newborn baby. …”
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‘O worship the Lord in the beauty of holiness: let the whole earth tremble before him’ (Psalm 96:9)

“… My main question in this article is: Is there a place and a future for persons who still hold to the centrality of Christ, or of Jesus of Nazareth, in their lives, but who are agnostic about what traditional Christianity would hold to be central points of dogma or even about the existence of what Cupitt and others have called an ‘objective God’? …”
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