Directing Dramas is Returning Hometown: Reading Lin Zhaohua’s The Cherry Orchard from the Perspective of the Taoist Freedom, Xiaoyao by Chengyun Zhao

“…His adaptation of Anton Chekhov’s The Cherry Orchard premiered at the Northern Theatre of The Central Academy of China in 2004, rehearsed again in 2009, and was subsequently invited to the 2009 Singapore International Festival of Arts. The paper aims to add a footnote to Lin Zhaohua’s contemporary adaptation of The Cherry Orchard from the Chinese philosophical arguments of the Taoist freedom, xiaoyao. …”
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Fake news, real needs: A qualitative study on Sino-Japanese theurgy fighting by Qing Gao, Qianqian Fu

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EASTERN MYSTICISM AND TIMOTHY LEARY: HUMAN BEYOND THE CONVENTIONAL REALITY by T. V. Danylova

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