Published 2008-05-01
“…Either a vertical frontier or an ontological model, the mountain came to stand as the key to eternal Scotland, the key also to a long-awaited spiritual awakening, as in Nan Shepherd’s The Living Mountain (1977) or Angus Farquhar’s recent environmental artwork. While
looking at the ways in which the mountain stands as the elevated starting point of a
new national imagination, the paper will eventually be concerned with the
works of several contemporary poet-climbers and performers. …”
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