Corroborating the magnetic easy axis of epitaxial (100) α-iron and (0001) BaFe12O19 thin films by 57Fe Mössbauer spectroscopy by Y. E. Li, J. Shine, C. Guguschev, M. Brützam, D. G. Schlom, N. Ravi

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Certain Death: Mike Flanagan’s Gothic Antidote to Traumatic Memory and Other Enlightenment Hang-Overs in <i>Doctor Sleep</i> by Erik Bond

“…This article uses the English Gothic’s eighteenth-century dismantling of male lineage and Enlightenment certainty in Horace Walpole’s <i>The Castle Otranto</i> as a lens for understanding the twenty-first-century commercial popularity of director Mike Flanagan’s Gothic films, particularly <i>Doctor Sleep</i>. Building on Stephen King’s 2013 novel and Stanley Kubrick’s 1980 film <i>The Shining</i>, Flanagan’s <i>Doctor Sleep</i> establishes a new lineage of male writers who value how the Gothic traditions of irrational emotion and doubt can inspire new realms of knowledge to lessen psychological suffering caused by traumatic lineage. …”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…Since the earliest days of cinema, adapting literary works has been a vital bridge between literature and film, contributing significantly to the development of the cinematic arts. …”
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2001, l’Odyssée de l’espace de Kubrick et la possibilité d’un cinéma de science-fiction by Carl Freedman

“…Stanley Kubrick peut être décrit comme un réalisateur métagénérique, dans la mesure où ses oeuvres majeures tendent à renverser et à reconstruire les conventions hérités du genre cinématographique pertinent (l’horreur dans Shining, le film historique dans Barry Lyndon et ainsi de suite). …”
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