“A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916 by Monika Smialkowska

“…Consequently, the American Tercentenary celebrations acquired a strong local focus, engendering communal involvement and civic pride, rather than becoming a state-sponsored affair, an official “diet” of Shakespeare fed to the populace by the central government.…”
Get full text

Le public et le privé dans Mesure pour Mesure by Michèle Vignaux

Get full text

Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary by Franziska Quabeck

Get full text

“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

“…In this paper, I intend an in-depth examination of the highly symbolical universe of colours in Shakespeare’s The Winter’s Tale against the background of the Reformation, which gave pride of place to dark and sad dyes. …”
Get full text

Analyzing Sartrean Inter-subjectivity and Concept of the Look in Macbeth by Masoomeh Rahmani Goldareh, Fazel Asadi Amjad

“…Shakespeare and Sartre have a specific bond in that the Bard portrayed the kind of tragic characters that can be the embodiment or conceptualization of existential notions. …”
Get full text

Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice” by Chantal Schütz

“…The Willow Song in Shakespeare’s Othello involves a complex intertwining of mimetic processes: a boy actor enacts the female Desdemona, who imitates a maid called Barbary singing an old ditty, while the original singer referred to herself as a singing (or sighing) lover sitting at the foot of a tree. …”
Get full text