Hollywood sur la Lune : les « Scientifilms », les Pulps et l’imaginaire science-fictionnel by Jay P. Telotte

“…It measures that early film/literature relationship by surveying the primary pulp magazines associated with the beginnings of sf publishing in the United States and framing them in the context that Francesco Casetti applies to early cinema when he suggests that the movies, as a pre-eminent modernist form, provided a kind of “script for reading the modern experience,” one that “not only proposed a reading of that experience, but at times imposed a pattern for its expression and communication” (5). …”
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Films japonais contemporains et représentations d’un pays perdu : des nostalgies à l’œuvre by Sylvie Brosseau

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The Architectural Photomontages of Piero Bottoni by Fabio Colonnese

“…In this sense, the analysis of some of his photomontages, which are today preserved in the Archivio Piero Bottoni (APB) at the Milan Polytechnic, reveals both his intent to introduce an anti-academic, ironic and realistic language, as well as the importance of cinema as an original source for architectural communication. …”
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…The forms of wounded subjectivity we find there are unable to stitch themselves into the illusory narratives needed to enable them to access a fixed sense of individual or shared identity and enclose them in a subjectivity separated off from all else around. …”
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Corps sensible, environnement urbain moderniste by Françoise Michel-Jones

“…From the point of view of an anthropology of vision, this article explores the relationship between sensing body and urban environment, particularly the perceptive and cognitive changes that occurred in the West of the 1960s, as fascinatingly depicted by Jacques Tati in a film—Playtime—that became a cinema classic.A master of filmed description and analysis of the typical social gestures and behaviours of the urban middle classes, Jacques Tati offers a film intended as “audio-visual” film “material”, rather than a filmed account of a story centred on a subject. …”
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Traditional Language with a Flair for Innovation: Hans Florian Zimmer’s Compositional Process by Gabriele

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Особенности поэтики киноромана: проблема перекодирования текста by Natalia Maslenkowa

“…This seems to become even more interesting considering the fact that cinema is a synthetic art form, where the patterns which affect all the senses of perception are used to create the audio-visual image. …”
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Aude Thuries, L’apparition de la danse : construction et émergence du sens dans le mouvement. À partir de la philosophie de Susanne Langer by Aude Thuries

“…The aim of our work is to consider and study dance as a sense-building activity. Sense is a complex notion, which has been variously conceptualized in the course of dance history but merely investigated.In order to do so, we use the the works of Susanne Langer, a 20th century American philosopher whose writings explore the concept of “symbol”. …”
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Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion by Florent Christol

“…This paper investigates cinema and television’s peculiar ‘love story’ with Charles Dickens’s A Christmas Carol (1843). …”
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Origen y contenido del cine proyectado con fines educativos hasta 1960 by Laura López Martín

“…Educators have always used images to illustrate their explanations. In this sense, cinema can bring the reality to the students by moving images. …”
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Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought by Steila Daniela

“…On the basis of some textual evidence, it is possible to describe the epistemologies of the two most influential Russian Marxists at the beginning of the twentieth century using the two metaphors of photography, on the one hand, and cinema, on the other. In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain kind of cinematographic device’. …”
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Eternity Descending into Time: Badiou and the Cinematic Temporality of Love by Lu Zeng

“…It argues that love has been overlooked in the discourse of the cinematic real and that love should be recuperated in and for cinema so that a version of the cinematic real informed by Badiou’s philosophy can emerge. …”
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Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra: Pájaros de verano by Carmen Laura Paz Reverol, María Dolores Fuentes Bajo

“…The goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. …”
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Lizzy: understanding attachment and loss in young people with complex needs by Edwina Grant, Mary McFarlane, Rita Crawford

“…Lizzy is now a twenty year-old young woman with brown hair, lovely blue eyes and the most amazing smile. She has a great sense of humour and is a very sociable person. She enjoys going out and about, be it to the cinema, shopping trips, ten-pin bowling or for something to eat. …”

“I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. by Matthew Carter

“…It argues that with Three Burials comes a sophisticated challenge to the cinema’s characteristic and mythic forms and to the racial assumptions that have traditionally bedevilled relations between Mexico and the USA. …”
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Estação Carandiru e o mundo construído pelas formas de nomeação by Maria Aparecida Silva Ribeiro

“…Joined by the set of texts whose authors are mostly beginners and which comprises also Cidade de Deus by Paulo Lins, Pavilhão Nove by Hosmany Ramos and Capão Pecado by Ferréz, among others, the novel presents a urban reality, contemporary, realistic and violent according to the common sense that guided their reports. These stories, before assuming novelistic format, had circulated only as journalistic fact, several of them having been subsequently adapted for the cinema. …”
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Mettre en jeu le voyage dans le temps : de la réappropriation vidéoludique d’un sous-genre de la science-fiction by Clément Personnic, Yannick Kernec’h

“…The time travel genre might be considered as one the major science fiction themes, maybe a sub-genre in itself on account of the invariable characteristics of its variations in litterature, cinema - starting in the fifties- and more recently in television seriality and video games. …”
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THE USE OF FEATURE FILMS IN THE TRAINING PROCESS OF FUTURE JOURNALISTS by Oleg Semeniuk

“…The potential of cinema for use in the educational process remains relatively high. …”
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