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    Breaking the Frame: Arabesque and Metric Complexity in the Sunrise Scene from Ravel’s Daphnis et Chloé (1912) by Gurminder Kaur Bhogal

    Published 2008-01-01
    “…This paper examines how in the Sunrise Scene from Ravel’s ballet, Daphnis et Chloé (1912), he conceived of this ornament as an ostinato motif whose short rhythmic values trace the “S-curve” of contemporaneous visual arabesque through a periodic descending and ascending melodic contour. …”
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