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    Sol LeWitt. The Conceptuality of Drawing by Paolo Belardi

    Published 2018-06-01
    “…In the first fax, dated March 22, 1995, LeWitt (at the time residing for long periods in Spoleto) tells his friend Bruno Corà (then professor of Art History in the Academy) about the delivery of the maquette of a work created specifically for Perugia [1]: an ‘open cube’ (the solid form most loved by LeWitt [2]) which, as an element of the exhibition project City and Art, aimed at injecting viral works into extra moenia urban areas of symbolic interest, was to be exhibited in the portico of the large public building built in those same years by Aldo Rossi and located on the western side of the Piazza Nuova in Fontivegge [3]. …”
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