Increased Fas and Bcl-2 Expression on Peripheral Blood T and B Lymphocytes from Juvenile-Onset Systemic Lupus Erythematosus, but not from Juvenile Rheumatoid Arthritis and Juvenile... by Bernadete L. Liphaus, Maria H. B. Kiss, Solange Carrasco, Claudia Goldenstein-Schainberg

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Associations between media parenting practices and early adolescent consumption of R-rated movies and mature-rated video games by Jason M. Nagata, Karen Li, Shirley S. Sui, Jonanne Talebloo, Christopher D. Otmar, Iris Yuefan Shao, Orsolya Kiss, Kyle T. Ganson, Alexander Testa, Jinbo He, Fiona C. Baker

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The role of KNDy neurons in human reproductive health by Aki Oride, Haruhiko Kanasaki

“…ARC Kiss1 neurons co-express neurokinin B (NKB) and dynorphin and are thus termed KNDy neurons. …”
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Riders to the Sea de Ralph Vaughan Williams : un hymne à la mer, indomptable et indomptée, qui unit les nations by Florence Le Doussal

“…Riders to the Sea: An opera in one act based on the play by John Millington Synge, Ralph Vaughan Williams’s fifth opera, composed between 1925 and 1932, after The Poisoned Kiss (A Romantic Extravaganza), was first performed at London’s Royal College of Music on December 1st, 1937, with Malcolm Sargent conducting. …”
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Potential Candidate Genes Associated with Litter Size in Goats: A Review by Wenting Chen, Ying Han, Yinghui Chen, Xiaotong Liu, Huili Liang, Changfa Wang, Muhammad Zahoor Khan

“…This review examines genetic markers associated with litter size in goats, a key reproductive trait impacting productivity in small ruminant farming. Goats play a vital socioeconomic role in both low- and high-income regions; however, their productivity remains limited due to low reproductive efficiency. …”
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The Duchess of Malfi de John Webster ou le corps dans tous ses états: « Some said he was an hermaphrodite, for he could not abide a woman » (3. 2. 217-218) by Laetitia Coussement-Boillot

“…In The Duchess of Malfi, Webster stages the Duchess’s pregnant body (1.1), the Duchess gorging on apricots (2.1), the Duchess kissing a cut-off hand (4.1), the wax effigies of Antonio and the children’s dead bodies (4.1). …”
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