“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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Healthcare in the era of climate change and the need for environmental sustainability by Nicholas Chin Hock Tee, Jo-Anne Yeo, Mahesh Choolani, Kian Keong Poh, Tiing Leong Ang

“…Knowledge of the health-related burden of climate change and the potential transformative health benefits of climate action is important to all health professionals, as they play crucial roles in effecting change. This article summarises the available literature on the impact of healthcare on climate change and efforts in mitigation, focusing on the intrinsic differences and similarities across the operating theatre complex, intensive care unit and gastrointestinal endoscopy unit. …”
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The Importance of Being Earnest (1895) by Oscar Wilde: Conformity and Resistance in Victorian Society by Brigitte Bastiat

“…The Importance of Being Earnest (1895) by Oscar Wilde is a popular play that is still widely performed in English-language theatres and also in many other languages. …”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. …”
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Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…In 1852, in his play Masks and Faces, or Before and Behind the Curtain and his novel Peg Woffington, Charles Reade chose as his heroine the British actress Margaret Woffington (1714-1760), whom he showed on stage but especially off stage. …”
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Settled by David Mann

“…The idea of the ‘borrow pit’ in the story is made in reference to South African theatre-maker Jemma Kahn’s 2018 play The Borrow Pit. …”
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“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

“…As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. …”
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Borrowing another voice or the Cyrano complex by Julie Vatain

“…The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. …”
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Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
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„Das Leben als Theater”. Afisze niemieckiego Teatru Miejskiego w Poznaniu w zbiorach Biblioteki Raczyńskich by Agnieszka Urbańska

“…The sheer time span of this continuously documented history of Poznań theatre makes it possible to carry out an analysis of the changing repertoire of staged plays, actors’ staff members and art leaders, but also that of the pattern for the theatrical posters, graphical elements or the material used for their production. …”
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Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle by Anna Street

“…Following a summary account of the principal challenges faced by theatrical representations of the immigrant’s plight, this article provides a close-reading analysis of Joe Murphy and Joe Robertson’s play The Jungle and its attempts to recreate a restaurant that existed in the refugee and migrant camp in Calais by the same name. …”
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Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

“…Such is the challenge faced by the amateur company of mechanicals who are producing the love tragedy of Pyramus and Thisbe, A Midsummer Night’s Dream’s play within the play featuring a fearful lion. For all the efforts the mechanicals have engaged in the project, their rendition of the lion is such a failure that it has the on-stage spectators roar with laughter. …”
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Infection Rates in Open Fractures of the Tibia: Is the 6-Hour Rule Fact or Fiction? by Ameya S. Kamat

“…Initial basic interventions may play more of a role in limiting the risk of infection.…”
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The Hybridity of Popular Culture in The Winter’s Tale by François Laroque

“…In his foreword to The Faithful Shepherdess (1609), John Fletcher blames the crass popular tastes of his theatre audiences for failing to respond properly to the new genre of tragicomedy. …”
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‘Our precious quand même’: French in the Letters of Henry James by Daniel Karlin

“…Henry James travelled extensively in France, lived there for months at a time, and was personally acquainted with many leading French writers; he loved and admired the French novel, the French theatre, and the French critical faculty, not to mention ‘the genius of the French language’. …”
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Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…“Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology” explores the representations of bodies in a corpus of plays by New York artists from the “New American Avant-Garde.” …”
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Caregiver’s experiences with a mobile-based educational program and its impact on dietary treatment compliance of children with methylmalonic acidemia: an online survey by Qing Luo, Chunqin Liu, Lizhou Lin, Xuehua Liu, Huifang Chen

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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…In three recent productions of the British theatre company Forced Entertainment – Spectacular (2008), Void Story (2009) and The Thrill of It All (2010) – the performance itself the lies in the gap created purposefully between the performers’ voices and their bodies. …”
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Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage by Claudia Alonso Recarte

“…Based on a medieval legend, Le chien was originally written for the Parisian stage by Guilbert de Pixerécourt in 1814, and it immediately attracted the attention of English theatre businessmen. English adaptations soon followed, as translations from a variety of sources were presented before a public mesmerized by the feats of Dragon, the memorable canine character. …”
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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…This paper scrutinizes the part played by dancing in two plays by Soyinka where such an artistic practice is rather foregrounded. …”
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