Suggested Topics within your search.
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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World
Published 2016-07-01“…It argues that the animal-like behaviour that Synge’s play calls for may be considered as a form of resistance to a hegemonic and early twentieth century conception of modernity. …”
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La nuit entre histoire et littérature
Published 2020-07-01“…What role might literary works have played in the negative perception of the night and its criminalisation in modern times? …”
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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine
Published 2019-12-01“…It produces innovating plays and performances hand in hand with existing Scottish companies and building-based theatres. …”
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Osama the Hero (2004) de Dennis Kelly ou pourquoi le théâtre politique n’est pas une « foutue perte de temps »
Published 2022-01-01“…Even though Kelly seems to minimize the political impact of his play in his opening speech for the Stückemarkt in Berlin in May 2012, entitled “Why political theatre is a complete fucking waste of time”, the play can indeed be deemed political, even if not obviously so. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
Published 2016-06-01Get full text
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Parody, Controversy, Commercial Opportunity: Samuel Foote’s The Minor (1760) and Its Reception
Published 2024-06-01Get full text
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La scène traumatique de Sarah Kane
Published 2015-10-01“…Kane also proposes a vision of trauma as repeating itself at different scales and her characters collapse the private self and the political subject in an all-encompassing Me-World. Finally, her latest plays essentialize her ash-poetry by exploring a theatre of paradox : trauma pierces holes in the fabric of life and obliteration is all there is to see onstage.…”
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La politización del festival de teatro durante el tardofranquismo
Published 2020-01-01“…They saw in this cultural event an opportunity to get around censorship, that banned most of their politically and socially engaged plays. The relative permissiveness first allowed by censorship in festivals was used to spread a sharp theatre against Francoism. …”
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Trans/forming the Greek theatrescape: Translation for performance as representation
Published 2025-01-01“…In this context, Fenia Apostolou, a director who made headlines with her story as a trans person, and Maria Hatziemmanouil, a well-known translator of Spanish theatre, decided that it was the right time to stage Pedrero’s play. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire
Published 2019-06-01“…La Tentation de Saint-Antoine is the first true shadow show at the Chat Noir, opening a multidisciplinary collaboration that occurs during the play’s genesis and also during the performance on stage.…”
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Comedy’s Double Negation of Meaning in Post-war European Theater
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The French Actor on the London Stage: Charles Fechter
Published 2017-11-01“…Using published reviews, letters, and the plays in which he appeared—including Fechter’s own adaptations and his annotated Othello—I propose to examine how this often overlooked actor was both received as the London stage’s greatest lover and at the same time considered particularly French, and how this seeming contradiction reflects contemporary London theatre-goers’ divergent reactions to anything French on their stages.…”
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Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage
Published 2013-07-01“…The essay discusses Tim Crouch’s recent play The Author (2009) in the context of active listening, audience participation, response and responsibility in contemporary theatre. …”
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Mechanisms of co-presence in repetitive drama studio performances
Published 2024-12-01“…The mentoring is present both outside and inside the play as mentors guide their students, assume some of the roles, and provide a meaningful framework and direction of the play. …”
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To Come Out or Not to Come Out: Queer Coming Out in Nine Lives by Zodwa Nyoni
Published 2023-03-01Get full text
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Voix soufflées, voix volées, voix intervocales
Published 2013-06-01“…This article goes against the grain of the vision of the new American theatre as a “theatre of images” (Bonnie Marranca), to which it substitutes an analysis of the theatricalization of voice. …”
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