The sources of Reforms of Peter I in reforms of the state administration in the government of Feodor III and in the government of regent Sofia by T. V. Chernikova

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Tell Me Lies (Peter Brook, 1968) or How I Learned to Start Worrying about Vietnam by Nicole Cloarec

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Theo Araujo and Peter Neijens (Eds.). Communication Research into the Digital Society.... by David Blanco-Herrero

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Thievenaz, J., Barbier, J.-M. et Saussez, F. (dir.) (2020). Comprendre/Transformer. Peter Lang. by Richard Etienne

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Gretchen G. Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky, New York: Oxford University Press 2011 / Maureen A. Carr, After the Rite: Stravinsky’s... by Hans Peter Reutter

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Bergier, B. (2022). Retours gagnants. De la sortie sans diplôme au retour diplômant. Peter Lang. by Thérèse Perez-Roux

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Multiplex basophil activation tests for allergy diagnosis: present and future applications by Ana Koren, Peter Korosec, Peter Korosec

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Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791, New York: Oxford University Press 2010 by Peter Petersen

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Peter Waldmann, Oligarquía en América Latina, redes familiares dominantes en el siglo xix e inicios del xx by Michel Bertrand

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Herpes Zoster and Postherpetic Neuralgia: Past, Present and Future by Gary J Bennett, C Peter N Watson

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Fertility Preservation for Cancer Patients: A Review by Tosin Ajala, Junaid Rafi, Peter Larsen-Disney, Richard Howell

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Poetic and theatrical occasionalisms: Creation of new morphologically complex words by Joseph von Eichendorff, Johann Nepomuk Nestroy, Peter Handke and Arno Schmidt by Wolfgang U. Dressler, Barbara Tumfart, Dietmar Kunisch, Vanessa Hannesschläger

“…These are productivity of word formation, literary functions, main content, single use vs. reuse of them, consequences of the noun bias of German and of the preference for binary relations, size of the word families of compound constituents (especially of the first constituent), the degree of poetic licence, semantically coherent vs. incoherent combination of words within a compound, embedding into the cotext and into the situational context, gapping constructions and their make-up, preference for compounding vs. derivational morphology.The conclusion and outlook (§ 4) present proposals how literary studies may profit from investigations of poetic and theatrical occasionalisms, which represent the highest degree of language creativity of literary authors. …”
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