Soap opera viewing in a communal context by Michele Tager

“…Although the research undertaken covered various aspects of the soap opera viewing experience and the consumption of an international vs a local soap opera, this paper will focus specifically on the nature of the viewing process and the ways in which the respondents relate to both soap operas, and it touches briefly on how the viewing patterns of the students and their motivations for watching compare with audience studies conducted elsewhere in the world. …”
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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

“…For the most part, he uses rhythmic-melodic elements specific to the folkloric melodicity, elements that draw their essence from the century-long experience of the folk artist that he decants by subjecting them to his own, unmistakable language. …”
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Rewriting the intersex body: On the opera adaptation of Herculine Barbin’s Memoirs by Gonzalo Iturregui-Gallardo

“…This framework serves to analyse the different adaptations (story, film and opera) and to argue that the opera presents a more queer-conscious narrative and a character who, despite being a victim of the social constraints of her time, was also master of her non-normative sexuality and desire. …”
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Multimodal Opera Performance Form Based on Human-Computer Interaction Technology by Lin Wu

“…The brain-computer interaction (BCI) technology could be used in opera performances to alter the audience’s emotional experience. …”
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WORK EXPERIENCE OF THE OPERA TIVE INFORMATION SUPPORT SERVICE FOR SCIENTIFIC RESEARCH A T THE MEDICAL RADIOLOGICAL RESEARCH CENTER NAMED AFTER A.F .... by N. P. Savina, V. A. Maznev, V. N. Galkin

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“INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER” by Adél FEKETE

“…Júlia Kirkósa has performed in Hungary, The Netherlands, England, Italy, Bulgaria etc., and has had the opportunity to work with famous opera directors, such as Hero Lupescu or Kürthy András. …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…Since then, Keri-Lynn Wilson has worked with famous symphony orchestras and opera houses all over the world, such as: Dallas Symphony Orchestra, Toronto Symphony, Los Angeles Philharmonic, Gewandhaus Orchestra, Simón Bolívar Symphony Orchestra, Vienna Staatsoper, Bolshoi Theatre, Arena di Verona, Israeli Opera. …”
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Remote Laboratory Experiments in a Virtual Immersive Learning Environment by Luca Berruti, Franco Davoli, Sandro Zappatore, Gianluca Massei, Amedeo Scarpiello

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INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL by E. V. Burdenko, I. I. Artsis, N. S. Il'yushchenko

“…In addition to a conservatory-based training regimen - six days a week taught by masters at one of the world's most renowned theater companies - students experience the rich theatrical culture by attending performances of theater, opera, ballet, and music throughout the semester as well as enjoying frequent museum visits. …”
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« I Speak According to the Book » : écriture et logos dans Nixon in China de John Adams et Alice Goodman by Mathieu Duplay

“…In the process, they draw attention to the cognitive function of writing and especially to the different ways in which ideogrammatic and alphabetic writing systems shape experience and thought. While this question was repeatedly raised in North America throughout the twentieth century, its most detailed formulation occurs in the works of Marshall McLuhan; thus, his study of writing as a medium will be invoked in an attempt to highlight the opera’s original contribution to this long-standing debate. …”
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Monetary Incentives in Italian Public Administration: A Stimulus for Employees? An Agent-Based Approach by Linda Ponta, Gian Carlo Cainarca, Silvano Cincotti

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Trabajo asociado y tecnología: reflexiones a partir del contexto y de la experiencia de las Incubadoras Tecnológicas de Cooperativas Populares en Brasil by Pedro Claudio Cunca Bocayuva

“…It draws upon the learning experience of the National Programme of Technology Incubators of Popular Cooperatives (ITCP) of the National Secretariat of Solidary Economy of the Ministry of Labour and Employment in Brazil (SENAES-MTE). …”
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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

“…The activities of private opera foundations have been discussed in detail. …”
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Aller au cinéma pour apprendre à être « moderne » ? by Anne Kerlan

“…Movie at its beginnings in China took over many places traditionally dedicated to Chinese culture (teahouse, gardens, theater and opera houses); however, it became very quickly obvious that movie screenings should be held in places that could mirror the novelty of the show, either by the architecture, the design of the room or by the etiquette. …”
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Giovanni Moioli's Theological Portrait. The 40th Anniversary of the Milanese Theologian's Deat by Jacek Węgrzyn

“…The vast majority of them were published in Opera Omnia, while minor unpublished ones have been deposited in an archival collection dedicated to him. …”
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Pengembangan Aplikasi Sistem Penilaian Praktik Pengalaman Lapangan pada Fakultas Ilmu Komputer Universitas Brawijaya Berbasis Web by Rizky Tri Sulistyo, Faizatul Amalia, Tri Afirianto

“…Berdasarkan dari pengujian pada sestiap kasus uji di aplikasi sistem penilaian menandakan bahwa 100% valid dan dapat dijalankan diberbagai peramban, yaitu (1) IE; (2) Edge; (3) Firefox; (4) Safari; (5) Opera; (6) Chrome; (7) iOS; (8) Android.   Abstract Field Experience Practice (FEP) is a pedagogy course that must be taken by all students of study program  Information Technology Education (ITE) Department of Information Systems Faculty of Computer Science at Brawijaya University to apply professional educators in the field of Information and Communication Technology (ICT). …”
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Doxycycline Degradation by the Oxidative Fenton Process by Alexandre A. Borghi, Milena F. Silva, Saleh Al Arni, Attilio Converti, Mauri S. A. Palma

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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

“…For a musical work to be truly “contemporary,” it must be an audible revelation of something essential about my current experience; but I cannot acknowledge that this is the case without distancing myself from it and behaving as if I did not wholly belong to the present moment, which I say it reflects. …”
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