« Shots in mirrors » : Les jeux de miroir dans No Country For Old Men (Coen 2007) by Julie Assouly

“…The Coen brothers’ adaptation of No Country For Old Men pays tribute to the many mirrors featured in McCarthy’s novel. …”
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Esthétique de la trace dans No Country for Old Men (Ethan et Joel Coen, 2007) by Christophe Gelly

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“But lo the thing’s inside and can you guess his shape?”: the semiotic elaboration of Cormac McCarthy’s autotextual creature in his early novels and No Country for Old Men by Yvonne-Marie Rogez

“…This paper explores the signifying resurgence of apparently “empty” signifiers and their correlative signified in Cormac McCarthy’s first five novels and later works such as No Country for Old Men and The Road. …”
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« Ever step you take is forever » : fin de l’héroïsme et vacuité spirituelle dans No Country for Old Men by Martin Berny

“…Joel and Ethan Coen’s take on No Country for Old Men can be seen as even darker and more pessimistic than the text it stems from. …”
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