“A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916 by Monika Smialkowska

“…The recent, almost exclusive, critical focus on MacKaye’s New York centrepiece has produced a view of the jubilee as participating in “an internal or domestic colonizing venture that seeks to enlist the consent and participation of the masses in their enforced acculturation” (Cartelli, 1999:75).  …”
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