An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

“… This article explores the conflated roles of translator and playwright embodied by Kuo Pao Kun (1939-2002), a doyen figure acclaimed as the embodiment of Singapore’s contemporary theatre. As a Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically Chinese art activist. …”
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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine by Jeanne Schaaf, Julien Alliot

“…In this respect, the National Theatre of Scotland illustrates this emancipation from the conventional space of the stage: “without walls,” it is a structure that is not located in any building. …”
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Market of the Russian avant-garde painting: investment potential and characteristics of auctioning by D. L. Morozova

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Venezuela: Political Confrontation and the World Community by Z. W. Iwanowski, D. M. Rozental

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