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Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s
Published 2023-09-01“…By taking a closer look at Canada’s first Indigenous Theatre company, Native Earth Performing Arts, which is based in Toronto, as well as analyzing two fundamental texts, Drew Hayden Taylor’s (Curve Lake First Nations) Toronto at Dreamer’s Rock and Daniel David Moses’ (Delaware/Tuscarora) Almighty Voice and His Wife, this paper will trace the common themes in these two texts that were prevalent in the work of this time, as well as unpack the connection these plays have to place, specifically in their relation to Toronto and the Indigenous Theatre scene there.…”
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Theatrical Colours: Cosmetics, Rhetoric and Theatre in Webster’s The White Devil
Published 2015-06-01Get full text
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Une réécriture amérindienne du théâtre de Shakespeare : Hamlet-le-Malécite
Published 2011-09-01Get full text
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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893)
Published 2017-11-01“…The responses of theatre professionals inevitably raise the matter of high art by implicitly questioning which of the two theatrical traditions best reflect and recreate, through their language, such cultural standards: How is a language stylized to answer simultaneously to dramatic conventions and to expectations related to national sentiment? …”
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L’usage de la photographie dans la constitution de la collection de maquettes de décors et costumes du département des Arts du spectacle (Bn), 1959-1983
Published 2024-09-01“…The whole project offers a history of models of stage sets and theatre costumes in the performing arts department. …”
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Un patrimoine redécouvert : les dépôts du Centre national des arts plastiques à l’École nationale supérieure des beaux-arts de Paris (1809-1923)
Published 2019-02-01“…The Centre national des Arts plastiques, the national centre for the plastic arts, is the heir to a service of fine arts, sciences and theatre first created in 1791 in order to support artistic creation. …”
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The Threat from European Missile Defence System to Russian National Security
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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre
Published 2025-01-01“… This article explores the conflated roles of translator and playwright embodied by Kuo Pao Kun (1939-2002), a doyen figure acclaimed as the embodiment of Singapore’s contemporary theatre. As a Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically Chinese art activist. …”
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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle)
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Korean Bongsan Talchum mask theatre: A window to the past and the pride of the present
Published 2024-12-01Get full text
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Debates on the Role of the US Theatre Missile Defense in Regional Deterrence of Russia and China
Published 2021-04-01Get full text
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« Qui m’aime me suive ! » Les archives de Jean-Michel Ribes et du Théâtre du Rond-Point à la Bibliothèque nationale de France
Published 2024-07-01“…In 2023 the department of performing arts at the French national library received the archives coming from the Théâtre du Rond-Point, in Paris, for the years 2002 to 2022 when Jean-Michel Ribes was director of this theatre. …”
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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine
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Migraciones estéticas en el primer teatro modernizador argentino: Henri-René Lenormand - Roberto Arlt
Published 2009-12-01Get full text
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