Démocratie criminelle : les périodiques de true crime américains, de la National Police Gazette à True Detective by Benoît Tadié

“…This article sketches out a genealogy of true crime literature in the US, from its birth in the National Police Gazette in the 19th century to its classic incarnation in True Detective, which was launched in 1924 and provided a template for dozens of American true crime magazines. Underlining the epistemological ambiguity of these periodicals, which were caught in a complex negociation between truth and fiction, it looks at their narrative guidelines, their dialogism which blended the voices of the authors and of the police, and the strategies they deployed in order to transform their readership into an « imagined community » of crime-fighting citizens. …”
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Propagande et identité narrative dans Sala@m by Mohamed Saki

“…The notion of “narrative identity” (Ricoeur) is essential to our analysis, for it enables us to highlight the system of narration which the magazine uses to create a collective story that it endeavours to tell the targeted audience. …”
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« Le sexe faible (?) » : les femmes et le space opera dans le magazine Amazing Stories d’Hugo Gernsback by Brian S. Matzke

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ON THE ISSUE ABOUT THE EFFECTIVENESS OF NARRATIVE ADVERTISING IN POPULAR SCIENCE JOURNALS by E. V. Shcherbakova, D. M. Belugina, E. V. Zvonova

“…The toolkit used made it possible to identify differences between the perception of narrative advertising texts by two groups of respondents and also similar trends in the perception of texts, which suggests a possibility of developing an effective advertising strategy for promoting a popular science magazine. …”
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The Role of Cardiac Resynchronization Therapy in Heart Failure: A Narrative Review by Olivier Uwishema, Ece Karabulut, Dalal Sheikhah, Burhan Kantawala, Misgana Gallo, Fatima Soufan, Magda Wojtara

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Webdocumentaire et histoire de la télévision suisse  by Roxane Gray, Gabrielle Duboux

“…The focus is on the narrative modes and broadcasting of Switzerland’s televisual history. …”
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La construction du personnage dans la presse people by Marc Lits

“…The main character rather than the plot is the central element that structures any narrative and allows all forms of identification, especially in mass cultural productions. …”
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« Sea, sex and sun » : la sexualité dans la mythologie du surf way of life by Adolphe Maillot

“…Individuals feel better and more important through the waves and the narrations of magnification made by specialized magazines or publicity. …”
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The gonzo journalism of Elena Garro by Angie Jennifer Anticona Alegre

“… In gonzo journalism, the reporter or journalist becomes the central axis of the facts, since their subjectivity becomes highly relevant in the narrative. That was precisely what the Mexican journalist and writer Elena Garro did when she lived with the inmates of the Women's Orientation House. …”
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Social networks and biographical method by M. A. Panarina, O. A. Kulikova

“…The story analyzed in this paper is interesting for its genre: a personal narrative created at the initiative of the online magazine Lady.mail.ru. …”
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Mapping the Discourse. Architecture Periodicals in/for the Teaching of Architecture History by Gaia Caramellino, Valeria Casali, Nicole De Togni

“…Moving from the teaching seminar offered over the past six years to internationals students at Politecnico di Milano in the framework of the History and Theory course, the pedagogical project intersects the growing attention for the relations between architecture and media, and the current debate on the history of architecture as a transnational practice.A corpus of around fifty periodicals published in eighteen different countries was addressed as a “system of knowledge” and a “global printed network”, overcoming monographic and local-centered readings based on the history of isolated journals or linked to national editorial cultures and narratives. Journals were examined in their interrelations and interconnections through comparative and cross-cultural analyses, crossing diverse architectural geographies, to trace the international circulation of knowledge.Crossing two divergent research attitudes codified by architectural historians, who tended to look at magazines as structuring sources for writing history or, alternatively, as objects of inquiry over the past decades, journals are critically examined as complex objects, investigated in their economic, material, cultural, visual, and graphic dimensions. …”
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Narrativer i Islamisk Stats propagandamagasin, Rumiyah – en digital tilgang til diskursanalyse by Emma Elisabeth Kiis

“…The repertoire of narratives used in Rumiyah is examined through the theoretical framework of Narrative Criminology in combination with Discourse Theory, as presented by Ernesto Laclau and Chantal Mouffe. …”
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La bande chantée : tradition orale et croyances pédagogiques dans le Corriere dei Piccoli by Lorenzo Di Paola, Eva Van de Wiele

“…Corriere dei Piccoli, in fact, effectively remediated (Bolter & Grusin, 2003) the ancient oral tradition of the “Cantastorie” (traveling entertainers who tell or sing stories in public squares with the aid of painted posters depicting key scenes from the tales), whose performances had a significant impact on the formal and meaning structures of the magazine. This process entails a collision between ancient narrative traditions and a novel media landscape characterized by the intersection of liberty, futurism, theatrical performances, and literary tradition. …”
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“He stopped to lower his window and say hello”: Jonathan Franzen, Neorealism and De-politicized Communitarianism by Aleksandra Zuzanna Leniarska

“…Referencing the term “Great American Novel,” the August 2010 cover of Time Magazine introduced Jonathan Franzen as “the Great American Novelist,” a change that draws attention to the persona of the author, as well as to his alleged ability to capture the American experience in the 21st century. …”
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« Les Mains du tueur Weidmann » by Nicolas Bianchi

“…This paper questions the media strategy of the magazine Détective when the Weidmann affair came out, which involved a German serial murderer, whose motives were quite unclear, in 1937. …”
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Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement” by Asunción López-Varela

“…This paper focuses on Harriet Prescott Spofford’s short story “The Ray of Displacement” which appeared in The Metropolitan Magazine in October 1903. The story deals with a crystal structure and the adventures of an unnamed scientist falsely accused of stealing it. …”
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Foreigner in contemporary Japanese state discourse: Constructing differences between the nation and the Other by D. S. Alekseev

“…Therefore, our research question is this: How is the interaction between the nation/national subjects and foreigners portrayed in the Cool Japan discourse, and what characteristics are attributed to both groups? Through narrative analysis and critical discourse analysis, this study examines government-affiliated media: articles from the “Friends of Japan” section in a government magazine and episodes from the NHK documentary series “Japanology Plus.” …”
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The Crack in the Cornerstone: Victorian Identity Conflicts and the Representation of the Sepoy Mutiny in Metropolitan and Anglo-Indian Novels by Flaminia Nicora

“…In 1897, Hilda Gregg wrote from the pages of Blackwood’s Magazine that “Of all the great events of this century, as they are reflected in fiction, the Indian Mutiny has taken the firmest hold on the popular imagination.” …”
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“Radical”: Marianne Moore and the Revision of Modernism by Aurore Clavier

“…Leading us from the working manuscript to the little magazine, from the individual collection to the endlessly emended magnum opus, from the anthology to the text-book, the practice of revision, then, retraces the historical construction of literary revolution(s), highlighting lines of rupture and continuity as certain names are marginalized or simply deleted.Because, among them, Marianne Moore was herself a relentless editor of her own or others’ words, yet has remained a shifting figure in the “great narrative” of Modernism, her work allows us to re-examine the claims of artistic radicalism, in the light of more complex modes of revision. …”
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Mettre l’intime en bande dessinée. Un dialogue avec Léna Merhej et Noémie Honein by Michela De Giacometti, Laura Odasso

“…Issued from two different generations, Léna Merhej and Noémie Honein use of their singular experiences to draw and narrate the intimate, thus testifying of converging interests. …”
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