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Wellbeing for young elite musicians: development of a health protocol from a student perspective
Published 2025-02-01“…This study forms part of a larger project to design an evidence-based wellbeing protocol for young elite musicians at a pre-professional music training institute. …”
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THE ORGANIZATION OF STUDENTS' SELF-STUDY IN PIANO CLASS FOR VARIABLE PROFESSIONAL ACTIVITIES
Published 2017-04-01“…The article addresses the issues concerning the improvement of musician-pedagogues' professional training at higher educational institution. …”
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Increased Insular Connectivity and Enhanced Empathic Ability Associated with Dance/Music Training
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How and Where Did Students Learn Music in the Late Middle Ages and Renaissance?
Published 2024-07-01Get full text
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The role of music performance anxiety in musical training: four personal histories
Published 2025-02-01“…Musical Performance Anxiety (MPA) is one of the major obstacles many musicians face in the course of their training and careers. …”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni
Published 2015-12-01Get full text
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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China
Published 2018-12-01“…The book soon attained canonic status in China and has been used in virtually all Chinese music institutions up to the present day. It is listed in the entrance examination syllabi of selected conservatories and reputable music theorists have published model answers to the exercises it contains. …”
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Facing migration under adverse conditions: challenges and resilience in the Colombo-Venezuelan border area
Published 2025-01-01“…Both groups, but particularly the migrants, belonged to the lower socioeconomic strata according to their educational levels and occupations (street vendors including street musicians and entertainers; 21.6% of migrants and 10.6% of Colombian neighbours). …”
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António e as Variações identitárias da cultura portuguesa contemporânea
Published 2017-01-01“…This article is focused on the preliminary analysis of a set of music lyrics by António Variações [Anthony Variations] (1983a, 1983b, 1984), which we consider representative of the multiple and plural identities that mark Portuguese cultural contemporaneity from the 1980s on. Approaching this musician has a double meaning: the way in which he represents the words of Fernando Pessoa when he pointed the importance of being “plural like the universe”; as well as the way in which each social actor can represent different social identities (to be at once Portuguese, a barber, catholic, from Braga, a musician and a variety artist). …”
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