When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875) by Joël Richard

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›Lead Sheet‹-Notation vom Vaudeville bis zum iReal Pro. Zur Geschichte der Notationsformen des Jazz und ihren musiktheoretischen Implikationen by Philipp Teriete

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Playing in Tongues: The Hammond Organ and Black Pentecostal Instrumentality by Braxton D. Shelley

“…This article attends to the social life of the Hammond organ in the Black Pentecostal imaginary, a theological, cultural, and musical phenomenon that calls attention to the social fact of instrumental timbre. …”
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Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor by Irina Pchelovodova, Nikolai Anisimov

“…The results of the analysis indicate the diversity of motifs used in the examined tunes. The identified anhemitonic tonal systems suggest similarities between the calendar musical compositions of Eastern Udmurts and the musical tradition of Southern and Western Udmurts. …”
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THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

“… At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. …”
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Udmurdi hällilaul: veel kord esmaallika probleemist by Irina Nurieva

“…That lullaby has been recorded throughout Udmurtia, almost supplanting local improvised lullabies. Musical analysis of the lullaby “Chagyr, chagyr dydyke...” has shown that, unlike improvised lullabies, this tune belongs to a late music style. …”
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Nye slåtter på sjøfløyta by Per Åsmund Omholt

“…Methodologically, the approach is practice-based, founded on many years of practical experience with transferring tunes, preferably from fiddle to flute.…”
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Human Activity Recognition Using Graph Structures and Deep Neural Networks by Abed Al Raoof K. Bsoul

“…To address this, we applied the Firefly Optimization Algorithm to fine-tune the hyperparameters of both the graph-based model and a CNN baseline for comparison. …”
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“THE HUNGARIAN FOLK-SONG … ECHO OF THE ENTIRE HUNGARIAN SOUL” – THOUGHTS UPON A QUOTATION FROM ZOLTÁN KODÁLY by Zoltán SZALAY

“…Zoltán Kodály writes these lines in 1943, after he ascertains that pentatonic tunes constitute the Hungarians most ancient music. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

“…The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. …”
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Being ‘excluded from the world of sound’: Deafness, Invalidism and Resilience in Harriet Martineau’s Writings (1834–1855) by Manuela D’Amore

“…In fact, she immediately started from the feelings that she associated with the pleasures of sound and music. Before she lost her hearing as a young adolescent, she enjoyed singing and ‘was never out of tune’: it was only after she became fully aware of her disability that she urged her ‘fellow sufferers’ to trust even experimental science to gain ‘every breath of sound’ and play an active role in the public sphere. …”
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