Showing 101 - 120 results of 254 for search 'Melodiya~', query time: 2.79s Refine Results
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    Musical Manifestations of Textual Patterning in Estonian Regilaul by Janika Oras

    Published 2011-05-01
    “…In performing such verses, rather than the extension verses of parallelism groups or verse repetitions, in the short melodies with narrow pitch range, the singers prefer more "intense" variants of melody contours in which the higher notes of the scale are predominantly used. …”
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  5. 105

    FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

    Published 2012-12-01
    “…Composer Franz Schubert reunites his art the subtle text interpretation with the melodic, purely musical ideal of shaping melody. By way of the lyrical tone of his melodies, he is considered to be one of the most talented composers of the 19th century. …”
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  6. 106

    Finding a rhythm within by Jan-Albert van den Berg

    Published 2024-06-01
    “… Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard. In this regard, polyphony serves as the central metaphor in this article. …”
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  7. 107

    THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

    Published 2014-12-01
    “… In Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. …”
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  8. 108

    Listen, Learn, Like! Dorsolateral Prefrontal Cortex Involved in the Mere Exposure Effect in Music by Anders C. Green, Klaus B. Bærentsen, Hans Stødkilde-Jørgensen, Andreas Roepstorff, Peter Vuust

    Published 2012-01-01
    “…Prior to scanning, participants underwent a learning phase, where exposure to melodies was systematically varied. During scanning, participants rated liking for each melody and, later, their recognition of them. …”
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  9. 109

    Activation of Human Auditory Cortex in Retrieval Experiments: An fMRI Study by Birgit Gaschler-Markefski, Frank Baumgart, Claus Tempelmann, Marty G. Woldorff, Henning Scheich

    Published 1998-01-01
    “…During the encoding periods, an arbitrary and unfamiliar four-tone-sequence (melody) played by one instrument was presented. The melody-instrument-combination was different in each period. …”
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  10. 110

    Musical Instruments of the Turkic Peoples of the Volga Region and Urals by Gulnara Khayrullina

    Published 2023-10-01
    “…Variety, rich sound, unusual melody pattern – national musical instruments create all this. …”
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  11. 111

    El rango de entonación microtónica en el canto kakataibo. Una aproximación fonética y musicológica a no bana ‘iti by Alejandro Prieto Mendoza, Ricardo López Alcas

    Published 2021-12-01
    “…Con base en el análisis fonético y musical del mismo, a diferencia de estos, que proponen la existencia de variaciones microtónicas y una melodía compuesta por dos o tres notas, en el presente estudio consideramos que el canto no bana ‘iti se compone de dos notas fluctuantes: una primera más alta (H), que recae en la primera sílaba, y una segunda más grave (L), que está asociada al resto de la línea melódica. …”
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  12. 112

    DIE MUSIKALISCHE ANALYSE DES WERKES „MYSTERIUM“ VON KISKAMONI-SZALAY MIKLÓS by Zoltán SZALAY

    Published 2014-12-01
    “…This modal character is present on a number of levels: the modal scales and melodies characteristic of folk music, plus those to be found in 19th and 20th century music, especially in the compositions of Bartók. …”
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  13. 113

    Zu einigen Paradigmen musiktheoretischen Denkens der 1920er Jahre by Felix Wörner

    Published 2021-12-01
    “…Wie der Beitrag zeigt, betrifft dies sowohl Parameter wie Harmonie, Melodie und Analyse als auch Grundkategorien wie den musikalischen ›Raum‹. …”
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  14. 114

    DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

    Published 2012-12-01
    “…In the composition Sursum corda, Liszt tries, probably for the last time, – through the huge metaphor of the fight for the birth of the melody – to succeed the ascension. The musical analysis proposes to identify and exemplify a few of lisztian procedures, compositional techniques and means of expression, which – on the one hand – do define the structure, the melodic and harmonic aspects of the musical discourse, and – on the other hand – aim to express feelings, and through these certain aesthetic and ethical values. …”
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  15. 115

    Klangfarbe und Form in Ravels Rapsodie Espagnole. Analytische Studien zum ersten Satz (Prélude à la nuit) by Lukas Haselböck

    Published 2021-06-01
    “…Klangfarbe und Form bilden ein multidimensionales Ganzes, das sich aus den unterschiedlichsten Perspektiven (Melodik, Harmonik, Energieverlauf, Klanghelligkeit, psychologische Expektanz u. a.) betrachten lässt. …”
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    ¿Cómo se duerme a un bebé en la Amazonía? Apropiación del villancico chachapoyano Niño Manuelito como canto de cuna en varios grupos de la red Ucayali-Amazonas by Alejandro Prieto Mendoza

    Published 2023-07-01
    “…In this article, I argue that the lullabies of shipibo-konibo, kakataibo, amahuaca, kukama, yagua, and magütá mothers share a series of features. The melody is based on the Chachapoyan Christmas carol Niño Manuelito and the texts are adapted to the melody by a hexasyllabic line or by vowel lengthening and deletion. …”
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