David Temperley, The Cognition of Basic Musical Structures, Cambridge, Mass.: The MIT Press 2001 by Markus Neuwirth

Get full text

Experimental data on aerosols exhaled into the environment from different wind musical instruments by Ainara Ugarte-Anero, Unai Fernandez-Gamiz, Koldo Portal-Porras, Jose Manuel Lopez-Guede

Subjects: Get full text

Notation publications in the context of musical life in Lithuania in the XVI-XVII centuries by Jūratė Trilupaitienė

“… In the 16th and 17th centuries, musical notation was only a modest part of the published output in Lithuania. …”
Get full text

‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

“…Wilde called the play his ‘first venture to use for art that subtle instrument of music, the French tongue’ (Hart-Davis 331). Its initial performance in England was prohibited and it was not produced on stage until 1896; even then, it opened in Paris and not London. …”
Get full text

Rock Music and The Political Scripting of Vietnam War: Reading Dispatches by Michael Herr by Lalit Kumar

“…This study explores the cultural interplay between music and literature during the Vietnam War, examining the implications of conceptualizing the conflict as a “mass media montage.” …”
Get full text

John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts by Martine Lambert-Charbonnier

“…Pater’s celebration of music in The Renaissance as the ideal towards which all arts aspire, fostered the idea of interior design as a musical composition enhancing pure perception for the aesthetic mind. …”
Get full text

L’essor musical de la basilique de San Petronio au XVe siècle : I-Bsp, Fragments A, B, C, D, E, une relecture by Johan Guiton

“…Taking as its point of departure a methodical transcription of these incomplete folios, this paper analyses the mensural notation, borrowed material, and compositional techniques contained in the five pieces (four masses and a Magnificat). While the music is in keeping with the theoretical concerns of the second half of the fifteenth century, some striking singularities pave the way for liturgical and prosopographical scrutiny related to the Petronian institution and provide new insights into the possible restitution of the lost voices.…”
Get full text

Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis by Idelber Avelar

“…The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. …”
Get full text

Mexican Pointy Boots and the Tribal Scene: Global Appropriations of Local Cultural Practices in the Virtual Age by Helena Simonett, César Burgos Dávila

Subjects: Get full text

“aaaaaaaaaaaaaaaaaaaaaaaaaambition makes you look [pretty] ugly”: Mass consumption and computer-generated art in Radiohead’s OK Computer by François Hugonnier

“…In spite of its ironic playfulness, OK Computer will not escape the commercial and technological mutations it scrutinizes: it is therefore acknowledging, in a performative way, the computer’s win over the band’s scope and music. OK Computer being thoroughly transmedia, all the elements (musical, linguistic and visual) surrounding its 1997 release are taken into account in this article, which analyses the paradox of mass-consumption denunciation, engages in cryptic decoding, and envisions this record as the first step in the band’s innovative adjustments to new technologies, be they musical or commercial.…”
Get full text

Radiohead et le rock progressif : histoire d’un malentendu by Michel Delville

“…Radiohead’s connections with progressive rock raise a number of basic issues about the genres, sources and influences of popular music, the relationship between mass and high culture, and the position occupied by so-called “alternative” groups on the pop-rock scene.…”
Get full text

Maître ou esclave ? Jazz, ragtime et cake walk en Allemagne avant et après la Première Guerre mondiale by Pascale Cohen-Avenel

“…In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of music. …”
Get full text

AJAGBO: A TRADO-MUSICOLOGICAL DIMENSION TO CONFLICT MANAGEMENT SYSTEM IN INFRASTRUCTURE PLANNIG AMONG THE AKOKO SPEAKING PEOPLE OF SOUTH-WESTERN NIGERIA by Usman Umar Jimoh, Bolanle Wahab

“…Mass emigration of youths and introduction of modern musical instruments that is shifting people' attention from the contents of the music are the main challenges of Ajagbo music. …”
Get full text

RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“…Recently, the conductor Alan Tongue discovered at the Cambridge University Library a manuscript signed by Vaughan Williams: a Mass for soloists, choir and orchestra, written in 1899, with the academic purpose of obtaining the title of Doctor of Music. …”
Get full text

TEXTURALISM by Andrei C. COZMA

“…The suggested theory of texturalism thus systemizes an important part of the 20th century music in which compositional techniques of other style defining musical practices are grouped together with singular technical features. …”
Get full text

The role of the Kazan school of journalistic education in the training of national journalists by V.Z. Garifullin

Get full text

Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar by Jessica Cáliz Montes

Get full text

Das valas comuns aos direitos humanos: a descoberta dos desaparecimentos forçados na Espanha contemporânea by Francisco Ferrándiz

“…This text is based on a multisite ethnography of seven years on the impact of exhumations of mass graves from the Civil War in contemporary Spain. …”
Get full text

Sur le mode mineur – Ein Mondbild in Moll. Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune by Wendelin Bitzan

Get full text