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Les lacs d’Hanoï, quelle place pour une pièce urbaine endémique ?
Published 2019-12-01Get full text
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From ‘no space’ to ‘scholarly space’: a reflection on the place of scholarship in the third space
Published 2025-01-01Get full text
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Les effets de proximité dans l’appropriation collective d’un grand parc paysager à saguenay
Published 2011-09-01Get full text
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MARTIN HEIDEGGER’S METAPHYSICAL QUESTION 1935-1937: GENESIS AND CONSEQUENCES. PART ONE
Published 2024-12-01“…The metaphysics considered is the intersection of being and time in thing and thing as a special place where thoughts appear in the artistic act. …”
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A razão ética e poética nos poemas de Ana Martins Marques
Published 2015-01-01“…In the work of the young poet Ana Martins Marques, author ofA vida submarinaand Da arte dasarmadilhas, the feminine sensibility and aesthetic discipline are significant marks. …”
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O Ponto Cego de Wilson Martins: Identidade paranaense e as transformações no espaço intelectual brasileiro
Published 2019-01-01“…In spite of the book’s prominent place in the history of the state, Martins contested its recognition, refusing to acknowledge its wide reception and its continuity with Paranism. …”
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Healthcare needs among unaccompanied minor refugees: a study protocol of a qualitative study explaining access and utilisation across place and gender
Published 2020-09-01“…Approval from the Ethical Review Committee at Martin Luther University Halle-Wittenberg, Germany has been obtained and granted. …”
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Book review: <i>The Politics of Place</i> <i>Naming: Naming the World</i>
Published 2025-01-01Get full text
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La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill
Published 2009-12-01“…To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the difficuty there is to use language in our post-Adornian world. …”
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Ombres et lumières croisées : l’appropriation prométhéenne de la lumière dans les peintures de Wright of Derby (1734-97) et John Martin (1789-1854)
Published 2013-04-01“…In the very disparate paintings of John Martin (1789-1854) and Wright of Derby (1734-97), whether it be the scenes of scientific experimentation, the forges, the engineering projects, the candlelight paintings, the Italian paintings or the landscapes, what seems to link them is a strong attention to light effects. …”
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« Motionless Monotony »: New Nowheres in Irish Photography
Published 2014-06-01“…In recent years the psychogeography of Ireland has shrunk. Places are closer together because the distances between them take less time to traverse. …”
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Zwischen logos und icon
Published 2021-09-01“…Following Foucault's theory of heterotopias (other-places), the study focuses on works of contemporary visual art, which as other-places can expose and make visible hidden, overlooked, misunderstood mechanisms of exclusion. …”
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Hossegor (Landes), une station au cœur des réseaux de villégiature
Published 2012-04-01“…Une fois la station lancée, la promotion immobilière saura jouer de tous les ressorts offerts par ces différents réseaux pour amener sur place la clientèle : de la propagande journalistique au réseau des agences immobilières en passant par le propre réseau relationnel d’Eluère. …”
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Les modillons de terre cuite de la basilique de Saint-Martin de Tours (Indre-et-Loire) et de l’église abbatiale Sainte-Marie de Saint-Benoît-sur-Loire (Loiret) : l’expression de de...
Published 2018-05-01“…Today, Tours and Saint-Benoît-sur-Loire preserve the two most important collections of terracotta modillions from the Early Middle Ages of the Middle Loire valley, excluding the city of Orléans where these construction materials, were found in one, two or three copies on more than a dozen sites, and Saran a well-known village of potters for the Early Middle Ages.The interest of the collections of Tours and Saint-Benoît lies moreover in places of highly symbolic value, which are the basilica of Saint-Martin on one hand and the abbey church of Sainte-Marie on the other hand.Beyond a simple difference in the actual shaping of the modillions (the Touraine specimens being molded and those of the Orléanais sculpted), these two series of objects are the expression of two different conceptions of the modular cornice, probably a cultural heritage from Antiquity.…”
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