Venüs Heykelciklerinden İdollere Kadın Temsilleri by Tülin CENGİZ

“…Another factor is the lack of philological evidence to support archaeological ones in Anatolia, especially until the Bronze Age. …”
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Bilge Kağan Hazinesinin Gün Yüzüne Çıkarılması: Bilge Kağan Anıt Alanı Kazı Çalışmaları by Kürşat KOÇAK, L. Gürkan GÖKÇEK

“…To that end, twenty five scientists, deported from Turkey in 19th June 2000, arrived at Orkun. Archeolojical excavations in 2000 as a part of MOTAP Project were pursued by Turkish archeological excavators in Mongalia until 2004. …”
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L’emploi antique des géomatériaux à Reims/Durocortorum by Gilles Fronteau, Sébastien Laratte, Alain Devos, Claire Pichard

“…Research carried out over the last twenty years on local geomaterials in the Reims region, as well as an important collection of Antiquity period archaeological corpuses, currently make it possible to identify the main characteristics of geomaterial supply and use in the Gallo-Roman city of Reims/Durocortorum. …”
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Pierre et carrières dans la Saintonge antique : identification, usages et diffusion by Jacques Gaillard, Egle Conforto

“…And how can we establish that an architectural block encountered in an archaeological site comes from a particular quarry? …”
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English Perceptions and Representations of Venetian Chromatic Variations by Anne GEOFFROY

“…While Newton was the first to split white light using a triangular prism in 1671, thus putting an end to the linear system of the Aristotelian chromatic scale, previous experiments using the prism as an optical instrument had been made a hundred years before by the Venetian Filipo Mocenigo, Archbishop of Nicosia. These attempts at understanding colours need to be linked to the uniqueness of the Venetian environment and to the quality of light in the lagoon where refraction is a daily phenomenon. …”
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An Attempt to Understand Islamic Arts with Deconstruction by Yaşar Özrili

“…On the contrary, it is based on the hypothesis that some intellectual gaps, contradictions and information pollution can be found by re-evaluating and deconstructing the ornamental and decorative elements of Islamic arts such as architecture, metal, wood, stone, brick, tile, ceramic, calligraphy, miniature, illumination, illumination, binding, marbling, etc. from the perspective of the 21st century consciousness thinking, perception, power to interpret the world, etc. …”
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