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    Infants of the Spring (1932): Cutting across the Stage of Harlem’s Black Bohemia by Elisa Cecchinato

    Published 2023-11-01
    “…This article discusses how, using the metaphor of theater, and specifically the highly racially codified genre of the minstrel show, Infants of the Spring depicts male, Black, and queer identities in the modern urban landscape. …”
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