Comment on “Management of Atrial Fibrillation in Critically Ill Patients” by Roger Jelliffe

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"Mouth !" : voix et lieux du pouvoir dans Norma Rae de Martin Ritt (1979) by Corinne Oster

“…Hollywood has never been eager to make movies about the American working class. …”
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Treatment of Basal Cell Carcinomas with Pulsed Dye Laser: A Case Series by Norman Minars, Marianna Blyumin-Karasik

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Czarny kryminał i nieklasyczna narracja. „Wielki sen” Howarda Hawksa, „Żegnaj laleczko” Edwarda Dmytryka i „Tajemnica jeziora” Roberta Montgomery’ego by Patrycja Włodek

“… Film noir, jeden z najpopularniejszych nurtów lat 40. w Hollywood, oferował nie tylko specyficzną estetykę, ekspresjonistyczny styl filmowania, postać prywatnego detektywa i demonicznej femme fatale, ale też próby eksperymentowania z narracją filmową. …”
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Analytical Predictions of Fragment Penetration through Hollow Concrete Masonry Units by David Bogosian, Bence Gerber

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Çocuk Yıldız Filmleri İle Canım Kardeşim Filminin Anlatı ve Karakter Özellikleri Bakımından Karşılaştırılması by Rifat Becerikli

“…Bu değişim ve gelişimlerde ana unsurlardan biri de dış kaynaklı yapımlar ve uyarlamalardır. Özellikle Hollywood bütün dünya gibi Türk Sineması’nı derinden etkiler. …”
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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

“…The absence of imported films, especially from India, Malaysia and Hollywood, had an effect on the declining number of spectators. …”
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“The World is Cursed”: Studio Ghibli’s Radical Environmental Philosophy by Claire Patzner

“…This paper focuses on Studio Ghibli’s ecocritical depictions compared to its American Hollywood animated counterparts, such as Walt Disney Studios, Pixar Animation Studios, and DreamWorks Pictures. …”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

“…To understand the power games behind the movie and its reception, it is important to contextualize Elite squad in the contemporary Hollywood production, in a hypothetical Brazilian Realism tradition and in the cinematographic and literary representation of the subaltern. …”
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Effectiveness of nurse-led volunteer support and technology-driven pain assessment in improving the outcomes of hospitalised older adults: protocol for a cluster randomised control... by Max K Bulsara, Christopher Etherton-Beer, Rosemary Saunders, Kate Crookes, Mustafa Atee, Caroline Bulsara, Beverley Ewens, Olivia Gallagher, Renee M Graham, Karen Gullick, Sue Haydon, Kim-Huong Nguyen, Bev O'Connell, Karla Seaman, Jeff Hughes, Seng Giap Marcus Ang, Debra Scaini

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Déjouer le spectacle de la violence. Représenter les événements du 11 septembre 2001 by Bertrand GERVAIS

“…His 21 minutes film is an extraordinary example of "found footage," which brings together excerpts from Hollywood films, more precisely Hollywood blockbusters and disaster movies. …”
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant by Delphine Letort

“…Melvin Van Peebles proposed a new heroic figure through the character of Sweetback, whose hypersexuality was to become a mercantile asset in Hollywood blaxploitation films. Nevertheless, the narrative’s reliance on a stereotypical Sweetback undermined its political message.…”
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Problematizando a indústria dos sonhos: questões sociológicas para analisar o cinema de entretenimento estadunidense by Túlio Cunha Rossi

“…This paper discusses the importance of analysing Hollywood productions in Sociology. Most of these reflections derive from research for my PhD thesis, in which the use of movies to undertake consistent analyses of subjects relevant to life in society was central. …”
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John Grisham’s Megabestsellers by Christine Evain

“…110 million copies of John Grisham’s books have been published so far, and Grisham is now at the head of an elite of five “megabestselling” authors. Courted by Hollywood (ten screen adaptations so far), heavily promoted by the book industry and its distribution channels, Grisham’s international success makes him the number one world-wide bestselling author. …”
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Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance by Jason Julliot

“…However, by adding all the power of a symphony orchestra to the metal band, by appropriating the codes of neo-Hollywood symphonism, and by designing oversized gigs, the symphonic metal musician seems to be part of a “cult of power”.…”
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The Power of Conformity: Music, Sound, and Vision in Back to the Future by Marc Priewe

“…I argue that the film employs music strategically in order to convey a nostalgic view of American culture and society in the 1950s by including certain songs and excluding others, as well as by a score that is deeply rooted in the traditions of Hollywood film music. The intermedial use and remediation of music not only amplifies the movie’s quasi-philosophical treatment of time and history in intricate ways, it also resonates with the contemporary sense of American exceptionalism.…”
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Quand écrire sur les murs passe de la clandestinité au marché de l’art : Exit Through the Gift Shop, un vertige de vrai et de faux pour une histoire du street art by Marie Bouchet

“…It was made by the world-famous, though mysterious, street artist Banksy and, as its title indicates, it is characterized by a reflection on the transformation of street art, an illegal, nocturnal art form that made its way into museums and the private collections of Hollywood stars in the late 2000s. This «mockumentary», as some journalists call it, plays with blurring the limits between truth and lies, uses mise en abyme effects and reversals, and stages the shifting of power that has occurred around street art.…”
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ISSUES OF INDIVIDUAL CAPITALISM IN THE NARRATIVE FILM OF THANK YOU FOR SMOKING AND THE COMPANY MEN by Sukarni Suryaningsih

“…This paper is intended to examine the identity of economic character of individual capitalism in two Hollywood movies Thank You for Smoking (2006) and The Company Men (2010). …”
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Sanal Karakterlerin Sinemadaki Gelişim Süreci by Sebahattin Çalışkan

“…Son on yıl içerisinde üretilen, Hollywood sinema filmlerinin çoğunda, sayısal ortamlarda üretilen karakterlerle karşılaşılmaktadır. …”
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Split Screen Nation: Vernacular Screen Forms of the American Paradox by Susan Courtney

“…This essay introduces an eclectic history of popular U.S. film, including but well beyond Hollywood cinema, that mediated conflicted sentiments about the U.S. in the decades after the Second World War through an implicit, and sometimes explicit, opposition between the screen South and the screen West. …”
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