Workplace interventions to prevent suicide: A scoping review. by Nutmeg Hallett, Helen Rees, Felicity Hannah, Lorna Hollowood, Caroline Bradbury-Jones

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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…A self-taught filmmaker working with very low budgets, fascinated with Hollywood’s glamor as well as exploitation and underground cinema, John Waters has appropriated techniques and modes of production, distribution and promotion specific to exploitation from the beginning of his career in the late 1960s. …”
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“I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. by Matthew Carter

“…This article explores the extent to which the “contemporary” border Western, The Three Burials of Melquiades Estrada (2005),challenges Hollywood’s cinematic hegemony in this regard. It argues that with Three Burials comes a sophisticated challenge to the cinema’s characteristic and mythic forms and to the racial assumptions that have traditionally bedevilled relations between Mexico and the USA. …”
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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

“…Ultimately, this article argues that Steinbeck’s novel was instrumental in shaping Hollywood’s enduring fascination with the journey and the road, themes which would later be re-elaborated in the road movie, a cinematic reworking of the road narrative. …”
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Piracy as counter-hegemony by Tanja Bosch

“…‘Globality’ is experienced through a preference for Hollywood and Bollywood blockbusters; and a media-saturated globalised national context meets the unequal purchasing power and economic constraints of the local context, while resulting in little moral concern over the practice of piracy, which lends a political dimension to everyday practice. …”
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Substitute locations of urban spaces in films shot in Spain: motivations, representations and consequences by Víctor Aertsen, Carlos Manuel Valdés, Antonio Martínez Puche

“…To improve this situation, we start with a brief review of three moments of Hollywood’s history where substitute locations have been central as an industrial practice, cultural debate and promotional strategy, and we propose six parameters that we consider of interest to pursue a detailed analysis of this phenomenon, especially in urban environments. …”
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Penile Degloving Injury in an Adolescent with Congenital Hypothyroid by Chauniqua Kiffin, Matthew Porcelli, Oksana Prychyna, Byron Pazmino, Daniel Pust, Joseph DeCostanza

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Traumatic Lung Herniation following Skateboard Fall by Dafney L. Davare, Chauniqua Kiffin, Rafael Sanchez, Seong K. Lee, Eddy H. Carrillo, Andrew A. Rosenthal

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Drug-induced Leukocytoclastic Vasculitis Secondary to Trimethoprim/Sulfamethoxazole: A Case Report by Ambika Shivarajpur, Simon Londono, Justin Shaw, Christopher Boccio, Leonid Melnitsky, Jheanelle McKay, Brian Kohen, Eric Boccio

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Hydroxyapatite Deposition Disease as Cause of Atraumatic Shoulder Pain: A Case Report by Hong Diem Truong, Andrew Gonedes, Jason Haidar, Kevin Wilson, Michael Remaly, Eric Boccio

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A Case of Status Epilepticus in a Patient Experiencing an Acute Attack of Hereditary Angioedema by Danielle Weinberg, Steven Gayda, Kyle Hultz, Hanan Atia, Brian Kohen, Eric Boccio

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Gastroduodenal Obstruction Secondary to Pica-associated Bezoar: A Case Report by Mariam Attia, Ashley A. Lavoie-Forrest, Phoebe Langius, Leon Melnitsky, Sandra Lopez, Eric Boccio

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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

“…According to the established historiography, the generic label “film noir” was used in France in 1946 to refer to a series of Hollywood crime fictions produced in the 1940s and 1950s. …”
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Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927) by Anton Karl Kozlovic

“…DeMille, the legendary cofounder of Hollywood, progenitor of Paramount studio, and unsung Christian auteur was a master of the American biblical epic whose indelible classics became the template for numerous ancient epics thereafter. …”
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COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE by Duygu Dersan Orhan, Elif Eşiyok

“…The aim of this study, is to analyze the representation of Saudi Arabia and its people in the Hollywood movie “Hologram for the King”. Content analysis method is used for the analysis. …”
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Crimson Tide: Hans Zimmer, Subliminal Harmony, and Submerged Voices by Donald Greig

“… Crimson Tide (Tony Scott, 1995) is a signal example of Hollywood action-adventure movies of the past forty years and in particular of the “high-concept” movie. …”
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Sinemada 'Dünyayı Kurtarmak': Türk Sinemasında Dünyayı Kurtaran Adam ve Oğlu by Meral Serarslan, Özlem Özgür

“…Uzun yıllardır süren Hollywood egemenliği, izleyicinin algısına ve bilinçaltına, dünyayı kurtarmanın Amerikalılara has bir özellik olduğu fikrini yerleştirmektedir. …”
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El talón de Aquiles by Leandro González, Carolina Barnes, José A. Borello

“…Las majors (o sea las grandes productoras de Hollywood) cambiaron su estrategia, orientada ahora a producir una menor cantidad de películas pero de mayor presupuesto. …”
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Sequential film marketing in China: The study of social platforms and their impacts by Yuntsai Chou, Wei Lin

“…Marketing on Maoyan is primarily broadcast marketing, whereas that on Douban is only eWOM marketing. Additionally, Hollywood hits depend on sequential marketing to succeed. …”
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