Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique by Fanny Beure

Subjects: “…Hollywood musical…”
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En Inde, dans les salles de cinéma, les spectateurs sont-ils acteurs ou simples spectateurs ? by Wendy Cutler

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REVISITING RACIAL POTRAYAL IN THE AMERICAN POPULAR FILM by Nerfita Primadewi

Subjects: “…hollywood cinema…”
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Oswojenie i walka. Sidney Poitier i Harry Belafonte w amerykańskim kinie lat 50. i 60. by Patrycja Włodek

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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

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Hollywoodzki gotyk i zamknięta przestrzeń ogniska domowego by Patrycja Włodek

Subjects: “…Hollywood…”
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Film Review: Jagun Jagun, Nigeria, 2023. Produced by Euphoria 360 Media. Netflix. 129 minutes, Yoruba (with English subtitles). No price reported. Directed by Tope Adebayo and Adeb... by Yemi Atanda

Subjects: “…Review, Transmutation, New Nollywood, Postmodernism and Machiavellian Ideology…”
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Cosmopolitan India by Rosa Maria Perez

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L’usure iconique. Circulation et valeur des images dans le cinéma américain contemporain by Mathias Kusnierz

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Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu by Pierre Berthomieu, Emmeline Gros, Marie-Pierre Burquier

Subjects: “…Hollywood cinema…”
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Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique by Anne Martina

Subjects: “…Hollywood musicals…”
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Les jeux de la spectature : paratextes cinématographiques des années vingt et archéologie du virtuel by Fabrice Lyczba

Subjects: “…Hollywood cinema…”
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Gone With the Covid – Scarlet in Quarantine: An Interview with Sarah Combs by Sarah Combs, Emmeline Gros

Subjects: “…Hollywood cinema…”
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Le regard impossible by Mathias Kusnierz

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Popüler Kültürlerarası Anlatısal Alışveriş Bağlamında Evrensel Masalların Yerel Sinemalara Taşınması by Serpil Kırel, Yasemin Kuruca

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Richard Pak : Pursuit by Muriel Adrien

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Workplace interventions to prevent suicide: A scoping review. by Nutmeg Hallett, Helen Rees, Felicity Hannah, Lorna Hollowood, Caroline Bradbury-Jones

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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…A self-taught filmmaker working with very low budgets, fascinated with Hollywood’s glamor as well as exploitation and underground cinema, John Waters has appropriated techniques and modes of production, distribution and promotion specific to exploitation from the beginning of his career in the late 1960s. …”
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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

“…Ultimately, this article argues that Steinbeck’s novel was instrumental in shaping Hollywood’s enduring fascination with the journey and the road, themes which would later be re-elaborated in the road movie, a cinematic reworking of the road narrative. …”
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Piracy as counter-hegemony by Tanja Bosch

“…‘Globality’ is experienced through a preference for Hollywood and Bollywood blockbusters; and a media-saturated globalised national context meets the unequal purchasing power and economic constraints of the local context, while resulting in little moral concern over the practice of piracy, which lends a political dimension to everyday practice. …”
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