La convergence des destins chez Thomas Hardy by Annie Ramel

“…Unlike the ‘crushing, killing’ red letters painted by a religious fanatic which are ‘driven well home’ to Tess’s heart, Hardy’s poetic writing does not assign a unique place to its reader, who is not subjected to the tyranny of a centre. …”
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TITO DORČIĆ AS A FORERUNNER OF THE IRONIC MODE by Dean Slavić

“…Eventually, he loses his job, falls into madness, which might also be an act of selfpunishment, and at the end, he dies. …”
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