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    Jean-Jacques Rousseau and his ideas in the spectrum of the pressing challenges of our time: to the postulates of modern psychological and pedagogical interaction by Irina Manokha

    Published 2015-06-01
    “…The personality and creativity of Jean-Jacques Rousseau are multifaceted, sometimes difficult to structure and observe in modern humanistic theorizations, although the idea of a special social function of personal sovereignty and the idea of history as a meaningful synthesis of historical facts have not lost their relevance today, if we find the necessary range of review and ways of implementation. …”
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    JEAN JACQUES ROUSSEAU’DA UYGARLIĞIN DUYGULARA NEGATİF YANSIMALARI by Mehmet Evren

    Published 2021-07-01
    “…Modern felsefenin karakteristik özelliklerinin şekillendiği aydınlanma felsefesi içerisindeJean Jacques Rousseau (1712-1778) insana ve uygarlığa dair eleştirel, özgün bir felsefitutum geliştirmiştir. …”
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    Sous les vagues bleues, le paysage by Christophe Camus

    Published 2021-12-01
    “…We have attempted to reconstruct a part of this invention taking as a starting point the simple notion that most of us, even those of us who are not divers, can now imagine and picture the ocean depths thanks to the efforts of Jacques-Yves Cousteau and other diving pioneers. The history of diving is well documented, but our study focuses on the ways in which it was described, narrated and shown in order to invent a landscape that for a long time had remained invisible and inaccessible to ordinary people. …”
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    Corps sensible, environnement urbain moderniste by Françoise Michel-Jones

    Published 2019-07-01
    “…From the point of view of an anthropology of vision, this article explores the relationship between sensing body and urban environment, particularly the perceptive and cognitive changes that occurred in the West of the 1960s, as fascinatingly depicted by Jacques Tati in a film—Playtime—that became a cinema classic.A master of filmed description and analysis of the typical social gestures and behaviours of the urban middle classes, Jacques Tati offers a film intended as “audio-visual” film “material”, rather than a filmed account of a story centred on a subject. …”
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