Performing rustics: pastoral moments and masques in Henry Purcell’s King Arthur (1691) and Benjamin Britten’s Gloriana (1953) by Catherine HOFFMANN

“…The conventions of the masque and the pastoral combine in performances involving singing and dancing by rustics and shepherds. In both works, the pastoral masques or moments are spectacles within the spectacle, offered as gifts to the character(s) on stage. …”
Get full text

Co-evoluzione nel rapporto tra creazione artistica e intelligenza artificiale. Sull’utilizzo specifico di “I Question”, “MADI” e “SIA” by Kim JaeMin

“…“MADI” creates original choreographies inspired by contemporary dance, exploring the possibility of AI-generated compositions. …”
Get full text

« Un néant follement attifé » : macabre et grotesque dans Mesure pour Mesure by Sophie Chiari

“…Thus, the play presents us with a whole series of frail and disquieting characters, and the medieval theme of the Dance of Death running throughout the tragicomedy reveals the vanity of their speeches and attitudes. …”
Get full text

SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

“…At the opposite pole we come across synesthetic episodes in pop-rock music or in disco dance music. The Avant-garde is a decisive factor of synesthetic development due to the synergy between music and visual art. …”
Get full text

The migrant and refugee entrepreneur (of the self): vernacular modes of immaterial labor as (re)invention of the self in the destination country by Laura Alves Scherer1, Carmem Ligia Iochins Grisci

“…The cartographic method was used to collect data from interviews and participant observation in Porto Alegre (Brazil), exploring events-activities, key informants, and economic migrants and refugees from the global south who work with music, dance, food, fashion, language, and political-cultural representation. …”
Get full text

Jedermann de Hugo von Hofmannsthal et de Felix Mitterer by Diane de Wrangel

“…This theatrical work is based on an English morality dating back to the end of the 15th century, and it features allegorical characters as if in a Dance of Death. It contains a timeless principle that provides the basis for rewritings, as Ein Jedermann (1991) by Austrian playwright Felix Mitterer shows. …”
Get full text

« Je la regarde et je danse » by Elena Nesti

“…In this article, I analyse the onstage danced movements of a singer-songwriter who is a non-dancer. …”
Get full text

The influence of temperament and perinatal factors on language development: a longitudinal study by Andrea Balázs, Andrea Balázs, Andrea Balázs, Krisztina Lakatos, Veronika Harmati-Pap, Ildikó Tóth, Bence Kas, Bence Kas

Get full text

New data on the Avar Period chronology of the Körös–Tisza–Maros Interfluve by Bence Gulyás, Péter Somogyi, Gergely Szenthe

Get full text

Multiselfing in Music Education by Radio Cremata

Get full text

Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather by Elena Igartuburu

“…Using the concept of maroonage and the theories of image circulation proposed by Christina Sharpe (2016) and Sylvia Wynter (2016), I analyze the production history of the films, their origin in multiple adaptations, and their use of music and dance to illuminate the existence of micro agency within the film. …”
Get full text

Music Segmentation Algorithm Based on Self-Adaptive Update of Confidence Measure by Jianhua Li

Get full text

Box-shaped cloak clasps in the Late Avar Period by Ádám Máté Horváth, Bence Gulyás

Get full text

En mode REC[ORD]  by Jean-Jacques Castéret

“…The wave of sound recordings of traditional music and dance that spread throughout France and Europe from the 1960s onwards led to the creation of documentary collections, often decades after the collections were made, and we are now seeking to gain a clearer understanding of their origins and scope. …”
Get full text

Finding a rhythm within by Jan-Albert van den Berg

“…Four idiomatic soundtracks, namely tonedeaf, rhythm, polyphonic narratives, and dance determine the structure of the article. Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. …”
Get full text

Az Anti-Tőke mint kritikai elmélet by János Weiss

“… Bence György, Kis János és Márkus György közös könyve a hetvenes évek elejére készült el, és a címe: Hogyan lehetséges a kritikai gazdaságtan? …”
Get full text

Some remarks on the absolute chronology of heraldic belt fittings by Anton Strokov, Bence Gulyás, Péter Somogyi, Galina Kamelina

Get full text

Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ? by Sylvain Fabre

“…The paper is based on an observation carried out in a “Dance” workshop. It reports on changes in a student's behavior, from an attitude of withdrawal towards a first adhesion. …”
Get full text

DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

“…The analyzed opuses are four piano dances, dating from Liszt’s late composition period. …”
Get full text

La notion de parenté épistémique : une modélisation des savoirs entre la pratique des élèves et celle des savants, l’exemple de la danse au collège by Monique Loquet

“…The study chooses as an example the teaching of dance in a college which aims the "meeting of oeuvres and artists" in accordance with French school programs. …”
Get full text