CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

“… Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. …”
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Study on Dynamic Characteristics of Single Droplet Impingement on Heated Liquid Film by Han Wu, Cong Liu, Chunze Cen, Chien-Er Huang, Sheng-Lun Lin

“…The impingement dynamics of the droplets on liquid films have been widely studied. However, there is less focus on the droplet impingements on hot liquid film, which is more representative as a pre-wall combustion condition. …”
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Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…This study presents key film works of Slovak cinema in the context of its development from the establishment of the independent Slovak Republic to the present day, with an emphasis on the increasingly prevalent inclination of Slovak filmmakers towards so-called genre film. …”
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Substrate system outperforms water-culture systems for hydroponic strawberry production by George Kerrigan Hutchinson, Lan Xuan Nguyen, Zilfina Rubio Ames, Krishna Nemali, Rhuanito Soranz Ferrarezi

“…Both systems have been independently studied for CEA strawberry production, but direct comparisons between them are still limited. …”
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Qui s’assoit où ? by Claude Forest

“…The choice and the occupation of a seat don’t concern the search for a technical optimum of viewing of the film’s projection. A differentiation of certain behaviors can be observed according to the composition of the public which varies itself according to the room, film or the hour of meeting, but the interactions mimetic between spectators is undeniable, and the recurring mechanisms of influence, independent of public’s composition, and can be structured by the architecture and the space of the room itself. …”
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From the Small Screen to the Big Screen: The Super8's Distribution of Sandokan TV series by Nicole Braida

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Sergei Eisenstein in the Proletkult by Biggart John, Bulgakowa Oksana

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The Art and life of Alàgbà Fálétí – A Pic torial, Art and Artifacts Exhibition in Honor of Alàgbà Adébáyọ̀ Fálétí (1921- 2017) curated by Akinsola Adejuwon and Seyi Ogunjobi... by Akinsola Adejuwon

“…A life that spanned and recorded historical trajectories of early colonial, decolonisation, independent movement, First and Second World Wars, and Nigerian Civil War, Military and Civilian Rules experiences of Nigeria, is worth studying. …”
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Evaluating causes and gestures: source-related and crossmodal features in the perception of environmental sounds by Sven-Amin Lembke

“…Communication through auditory cues often evokes associations to other sensory modalities. In film music, for instance, a descending pitch contour commonly resembles a falling motion. …”
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The Relationship between Academic History and Audio-Visual History in Lithuania: A Closing of the Gap? by Rūta Šermukšnytė

“…By trying to consider history emotionally and subjectively, the authors of Lithuanian documentary films and programs in the period of national revival and the first years of independence (till 1993) usually failed to provide a new, individual take on the history of Lithuania; rather, they reproduced interpretations of Lithuanian history produced in the 19th and early 20th centuries. …”
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