“Here Lies the Possibility of Bodies Turning Elemental”: by Jenny Andrine Madsen Evang

“…Taking its meandering and associative form from Serpent Rain’s experimental aesthetics, this article draws on Black feminist theory—particularly Christina Sharpe’s In the Wake—to argue that the film unsettles visual and ontological certainty to dramatize the repetitive structure of racial capitalism and its ongoing reiterative violence, from the sunken slave ship to the ongoing extraction of oil on indigenous land. …”
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